A Quote by Brion James
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
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The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
Why would a lazy guy become a parent of five? Then again, why would creative people who inherently don't like change and criticism become writers, actors, or comedians? There's something about this process. I joke about it: My kids have made me a better person, and I only need, like, 34 more of them to be a really good guy.
We want the right people, the ones who love to play football. I want a guy who, if I punch him in the mouth, doesn't stand there and say, ?Why did you punch me?' I want the guy who punches me back first, and then asks me why I did it.
When I was on 'One Life to Live,' I always wanted to delve into my character, Layla, to find out why she was the black sheep of the family. I so wanted to have some edge. I have no idea why there was a reluctance to do that or why we so rarely see it.
I think I just never wanted to be the creepy guy where people say, 'Why do his leading ladies keep getting younger and younger, and why do they think he's so hot even though we know that the girl who's playing this part actually has a handsome boyfriend?'
I feel a lot of guilt about the freedom that being an artist provides. I ask myself, 'Why am I not the guy emptying the trash, why am I the guy who is watching the guy empty the trash?'
What makes a show good for me, personally, is a mystery that just doesn't quit. I want to know why. Why did this happen? Why is this phenomenon occurring? Why did that person do that? A series is really good to me that takes its time in answering those questions.
My family called me the 'why kid' growing up. I always needed to know why something is happening, why I had to do something, why whatever.
I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.
[Touring] is not necessarily a priority. It's just a part of who I am as a performer. That's obviously why I'm doing it; why I'm in this business is part of me has to perform.
The way I look at it within myself, why not? Why can't I be the MVP of the League? Why can't I be the best player in the League? I don't see why-why-why can't I do that? I think I work hard, I think I dedicate myself to the game and sacrifice a lot of things at a young age and I know if I continue to do good, what I can get out of it and if that's me going out or doing whatever, I'm willing to do it because I know in the long run, it's going to help me.
Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.
The concept of why is already in the vernacular. It is now a noun. "That company doesn't know their why." "They need to learn their why." "That politician needs to understand his why." We talk about it as a noun. That never existed prior to 2009. That never existed prior to 2006 when I first started articulating it. This is the most amazing thing to me. It has now become a concept. It's part of the way we think about businesses and transactions and decisions.
Why can't a seven-foot guy play a doctor? Why can't I be a teacher? Why can't I be a football coach? Why can't I be a cab driver? Anything. Anything else than that. I can cry. I can do those things that they think the big guys can't do. So just give us a chance.
I remember my dad asking me one time, and it's something that has always stuck with me: 'Why not you, Russ?' You know, why not me? Why not me in the Super Bowl? So in speaking to our football team earlier in the year, I said, 'Why not us? Why can't we be there?'
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