A Quote by Brit Marling
I never want to repeat the same thing. I always want it to be different from what I've done, and to be not quite sure whether or not I can pull it off, until I hopefully do.
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You never want an Australian with his back against the wall. You put any 12 blokes together and you'll get a job done. Whether it's getting a bogged four-wheel-drive off the beach or standing in front of a cricket wicket and making sure we're in a dominant position. It's the same dog, different leg action, so to speak.
I'm always looking for a chance to do something different. I don't necessarily want to repeat myself, at any time, and I don't want to just do the same guy, over and over and over again. I want to be able to do different things and to evolve and constantly try to find those roles.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
I'm sure people would argue this, but I want to be different in everything I do. I don't think I've been the same in anything I've done, and I want to keep that up.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I think when I was younger I wasn't really sure if I wanted to act, so I played around with a few different ideas. I wasn't sure whether I might want to write or whether I might want to do something in fashion.
We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.
I was quite discerning the first year and when I was doing 'The Vampire Diaries' thing I was like, 'I'm really not sure if I want to do this; it's this whole teen thing, which I've done in England.' My agent was like, 'Don't be silly, you'll make great money and everything.' But I wasn't sure.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
When you look back from your Olympic experience, you never want to question whether you could have done more. The one thing you can control is your off-ice preparation.
I really do love doing stand-up, and I don't see why it should affect the acting. And I just want more interesting jobs. I just want to keep doing stuff that's different, rather than saying, "Okay, I've become known for this, and I'll just do this from now on." If I feel like I've done this one thing, I never want to do it again. I want to do something totally different.
Because I've done so many different roles, I don't want to repeat myself. It's getting harder and harder to find something interesting. You never know - I might never make a film again.
I feed off variety. I don't want to repeat myself if I can help it, but once they've seen you doing one thing, directors often just want you to do it again.
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'
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