A Quote by Brit Marling

I'd studied theater growing up and loved that, but didn't have many examples of artists around me. — © Brit Marling
I'd studied theater growing up and loved that, but didn't have many examples of artists around me.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
I studied theater in college, and I absolutely knew that I loved acting, and I knew that I loved theater.
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
Growing up, the dream was to be on Broadway. I always loved theater.
For me, as I was growing up, I studied architecture, I was into music, and I always felt that there was a gap between the things that I loved and consumed and who made them and how they made them.
I loved theater growing up, and my mom always took us to the touring productions that would come through town. We would go to Chicago all the time and see shows. I loved it.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up, but really, I was just more interested in the comedy of it all.
When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
The musicals that I loved, growing up - many, many. 'Singing in the Rain,' of course, is a classic, I love 'Meet Me in St. Louis.' I love 'Funny Face,' Stanley Donen's beautiful movie. It's really countless for me.
I loved theater and went to Circle in the Square's post-graduate program for two years and studied acting and directing and I loved it. I loved acting and directing - I really like directing a lot. Some days I think maybe someday I'll go back and direct something.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
My mom used to take me to the theater to see the tours that would come through D.C., and I loved it. I loved it. I was absolutely enthralled by the theater and by that world.
Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
Sir Larry could be very strict and a disciplinarian, too. He had many faces; he wore many hats. But, ultimately, he loved the theater and he loved actors.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
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