A Quote by Brit Marling
So writing became a way to get to act in things that I thought were meaningful, and hopefully write stronger roles for other women.
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All women are strong, and we don't need to write stronger female roles; what we need to start writing is real women that have emotions and have real-life thoughts.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
In a way, I started 'Goon Squad' not even realizing I was writing a book. I thought I was just writing a few stories to stall before starting this other book that I wanted to write - or thought I wanted to write: I still haven't written it.
I'm not writing about things other women do. I'm writing for other women to have more self-confidence because I need it myself! And if more women were in power, I would feel more comfortable.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
We thought we'd write a good script for women, giving them the fun roles that generally men get.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
When you get into your 40s, the roles do tend to drop off, and I've seen it happening to friends of mine. Hopefully it is improving, and there are female TV executives now who are championing women of all ages in leading roles. But I'm not counting on it.
Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.
The Declaration of Independence, the Constitution, and the Bill of Rights were all written by affluent white males, but to discuss them in any meaningful way, you have to bring in the roles of African Americans - the enslaved blacks - and the roles of women, who were scarcely acknowledged by those documents. You have to discuss why slavery wasn't outlawed by the Constitution, why women weren't given the votes. The Bill of Rights isn't about dead white males anymore, and it's not just about live white males either; it's about every minority group that exists.
I made up my mind long ago to follow one cardinal rule in all my writing-to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics-Well, they can do whatever they wish.
Writing was a way to get away from my life as a programmer, so I wanted to write about other things, but of course nobody wanted to publish another story about a family, unless it was extraordinary. When I began writing about my life as a programmer, however, people were interested.
I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.
It's fun to get away from myself for a while when I take on these roles that have very different personalities from my own. I get to say things I normally wouldn't say or act in ways I normally wouldn't act. After all, such roles are more challenging because you really have to immerse yourself in the character.
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