A Quote by Britne Oldford

I like to see things that take a lot of time and effort and passion. Which I feel like 'Skins' has. — © Britne Oldford
I like to see things that take a lot of time and effort and passion. Which I feel like 'Skins' has.
I turned 25. And I don't feel like... whatever, age is just a number. I still feel very young and excited about life and everything. For the first time ever I began to take a look at life and really value it, and realize that there are so many things that I want to do; travel, I want to see the world. I realized that I want to take more time for myself and take more time to see the world and spend time with friends. That sounds so basic but I never really realized that before.
I feel my time in baseball has come and gone. I feel like I had a great career. I had a lot of fun and have a lot of great memories. At one point in time, I'll be able to tell it all. Right now that's in the past. I see things differently. I more want to help.
There's also an immediacy to everything that has changed everybody's expectations. Now if I can't get a hold of somebody on their cell phone I'm, like, angry with them. And in my mind, all the things that I really value in terms of art, really good novels or films or comics, I know they all take a long, long time to create, and they take a lot of concentration and dedication...and I just feel like the training for that is becoming more and more rare when people are used to seeing things like YouTube clips, and being able to acquire things instantly.
There are things that you study, classes you've taken, activities you've done that feel right, that feel like they're in your power zone. So it doesn't take incredible amount of effort for you to do it - it just comes more naturally to you.
I think I've been skeptical of violent passion for a long time. I think 'Pinkerton' is about that a lot - seeing how, every time I've felt really passionate for someone, as soon as I 'acquire' them or feel like I've acquired them, the passion goes away.
I always have a lot of things going on because some things take years to make and others take five minutes. I like that there's always something going on. Working doesn't have such a momentous feel - like it's all or nothing.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
People say, what is the sense of our small effort? They cannot see that we must lay one brick at a time, take one step at a time. A pebble cast into a pond causes ripples that spread in all directions. Each one of our thoughts, words and deeds is like that. No one has a right to sit down and feel hopeless. There is too much work to do.
People like to warn you that by the time you reach the middle of your life, passion will begin to feel like a meal eaten long ago, which you remember with great tenderness.
I've always thought things were absurd. It would take a lot more effort for me to see things as reasonable.
I like eclecticism. To feel comfortable and not overdressed. I still like thrift store shopping, and I don't like to put a lot of effort into what I'm going to wear.
Every time I make a new game, I put all of my effort completely into that game. It's like putting all your effort into a new child that's being born. Once the project is done, I can step back and look at it objectively, which is when I can see a lot of flaws. That's when I start to make a new game that tries to fix some of those flaws.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Things slow down, the ball seems a lot bigger and you feel like you have more time. Everything computes - you have options, but you always take the right one.
On set, I like to be treated just like a normal adult actor. We all put as much time and effort into our craft as adults, and maybe even more because we have school to do and a lot of things to figure out.
Then you see something like the Gucci advertising and you're like, "Yes!" It gives you confidence because you feel like you're not alone - you don't have to copy it but you can find inspiration. It's not only Gucci; I feel like everything is moving quickly and there's a lot of excitement and turmoil around these designers leaving their brands, but it feels like it's buzzing. There's stuff happening and I feel like it's always exciting when there's movement.
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