A Quote by Britne Oldford

I'm into a lot of different types of music - pretty much everything from blue grass to jazz to dub step to metal to indie experimental and progressive. — © Britne Oldford
I'm into a lot of different types of music - pretty much everything from blue grass to jazz to dub step to metal to indie experimental and progressive.
I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to R&B and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.
I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to RB and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I have very different kinds of songs - there are these film-music-type of songs, and then metal, metal, metal, ha-ha! These are different kinds of styles, so not every musician can play both types of music.
The main thing was metal was scary. But thanks to Babymetal and being exposed to different types of music, we've learned to love metal.
There are three virtuous styles of music; classical, jazz and heavy metal. I do love classical music but I don't listen to it much anymore and I never listen to metal, so I am not very interested in music that is difficult to play.
If we have to put music into baskets, then the progressive rock bands I fell in love with as a teenager made sounds that shaded into jazz, folk, metal, and in the case of the wonderful (and sadly missed) Jon Lord, modern classical music.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends.
I think with me and the type of music that I'm trying to make, it's always going be soulful because I grew up listening to different types and variations of soulful melodies and jazz, but experimenting with different types of stylistic souls.
Blue grass was the outgrowth of Irish music. As a matter of fact a lot the tunes, a lot of the melodies and the jigs... have different names but are actually the same tunes.
Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
Definitely dub is in my body forever. I think I hear everything through a dub filter. Even when I play rock music, I play through a dub filter.
When I look at music, everything is blurred, and I like it that way. I grew up like that, hanging out with different types of people who listened to so many different types of music. I never wanted to be part of any one clique. I loved it all.
In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.
I started out trying to play more straight-ahead jazz. I went to Berklee in the early '60s when it was a brand new school, and so there was no fusion music. There wasn't a lot of mixing together of different kinds of music at that time, so jazz was kind of pure jazz.
I listen to everything from jazz to reggae to heavy metal and I kind of combine everything to make something different
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