At the end of the day, I mean, I love my father, but I was always a mama's girl growing up. I'm from the South, so there's always something about me when I'm just with my girls or even my mother. There's just a strong connection there.
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.
I can always remember standing up to the baddest girls in my elementary school. Wherever I went, there was always a mean girl, and that girl would always hate me because I wouldn’t bow down.
Religion is a huge part of me; I'm a practicing Muslim. I'm pretty much open about it if people were to answer questions. At the end of the day, I'm just a normal girl. I have my own beliefs just like everyone else. I have a strong belief in something, but I also love music.
I would love to be a guys' girl, but they always end up falling in love with me, so I'm a girls' girl instead. I've tried having friendly relationships with men, but it ends up being impossible, and I've been around the block too many times not to see it coming.
I always wanted to do something I knew I could love to wake up and do every day, and rap was just second nature to me, growing up in Harlem. I never really had to try.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
I felt like I was growing up with two different churches, in a sense. And that's always stayed with me - not just the religion of it - but the day-to-day understanding that these beliefs, that faith itself, is something that I need as something to sustain me.
I just feel like growing up in Los Angeles, you learn, 'Well you're never gonna be the prettiest girl in the room, so just don't even try.' I mean, I care about being pretty, but it's not my most valued thing.
[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.
I'm definitely drawn to stories of just regular folks, just generally in some kind of horrific situation. I keep saying I want to do a love story in the south of France with a boy and girl and some wine. Then I always end up in an oil rig with four hundred guys or on a mountain with guys shooting at each other.
I've been an activist since I was a teenager. I was always curious about what we would now call social justice. I remember just trying to navigate growing up poor in an overpoliced environment with a single mother and a father who was in and out of prison.
My father was a racing driver, his name is Don Halliday. I grew up with it all around me. I have always been into fast, dangerous sports, even as a child. As soon as I got in a car I knew it was for me and that I would enjoy racing and competing. My mother was also involved in Solo One. She always said I was like my father and would want to compete one day.
When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.
I always wanted a girl growing up, as well as a boy, so to have a girl first is just really exciting.
As a son of Jamaican immigrants whose father cut sugarcane as a contract farm worker for over a decade and whose mother was a cook who fed those migrant workers out in the fields, the odds have always been against me growing up in rural South Bay, Fla.