A Quote by Britt Robertson
It's important to me to just experience as much as possible and to be able to just work and meet new people and have different experiences and have as much knowledge as I can.
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I get to travel so much. I get to see so many different parts of the world. I get to meet new people every day. I experience new cultures, meet new fans from different countries. I get to perform for them, too.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
Travel the world and meet people. I've been fortunate enough to see so much of the world, and being able to do so has brought me so many wonderful friends and experiences. There is no better way to learn than exploring new places.
Sometimes somebody has an amazing house party and you meet great people and you dance - I've had incredible experiences. But they have been so much fewer than the awful experiences where you're just standing around like, "Why did I come here? We're all just putting on a show for each other and I might as well be in a museum."
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
Traveling is not just a pleasure, but it also gets you to meet so many people, experience new things in life and, in return, expand your horizon so much.
That’s the thing you have to understand about the whole process of art (or the work that we do) – you’re only half of the equation. It’s an interaction between you and the person who’s going to experience the work. The person who’s going to experience the work is bringing just as much to it and is just as important as you are.
My first, what, five, six years I was never given a microphone. Now we have this New Day thing where we talk pretty much every single week. It allows me to open up a whole different side, so I just think it's really important to be able to adapt.
Some people seem so different, some people feel so much more than other people, some people are able to push past things so much easier. And...it's just fascinating to me.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
I'm lucky right now because I'm not that famous, people will look at the work just as the work, and people respond to it pretty well. It's just hard to know exactly what group I need to meet and where I need to be. I think fame helps, but I want it to be separate as much as it can. Fame is just so weird, people just love famous people.
So something about that touched me, obviously, when I was young and it just stayed with me. I'm always amazed by that, because my experience seems to be so much different than what I'm told, so much of the time.
I love New York very much, and it was very important for me to spend my 20s in New York City. You're exposed to so much here, whether it's other people or just the grind of it and how hard you have to work. I think it forces you to define yourself: what kind of person do you want to be? What kind of woman do you want to be? And then inevitably, what kind of actress do you want to be?
I try to bring awareness, not just to CP but to all disabilities in the sense that it's knowledge. My disability gave me so much knowledge that I was able to take into 'Breaking Bad' and to grow and to learn.
I need to find avenues to express all of my creativity. There's always polarizing forces. Sometimes I feel like my work is going in different directions, but hopefully it's just expanding. And I think as much as possible to just let ourselves be in all the various aspects. I feel more inspired by people who just will let themselves be as creators, and I don't think it has to be contradictory.
I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.
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