A Quote by Britta Phillips
It was definitely in my mind to do a solo album, but I didn't know it would take this long.
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When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.
As long as I know what key the solo is in, I try to kind of empty my mind and not think about anything. I just play without thinking.
Well, I suppose I could do a solo album, but my god, it would be terrible!
I would have found something because I love to entertain people. I had the option to take the rest of the year off. But I said the songs on my last solo album, '24 Karat Gold,' mean so much to me. I need to get out there and sing them.
I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.
Nadine from Girls Aloud could definitely go solo - she's the one with the talent and will have a successful solo career.
Billboard called my solo album, 'Standing In The Spotlight,' a great party album and even said that my raps put the Beastie Boys to shame.
If you wanted to pursue some kind of artistic pursuit and you had another career, then you would definitely fall back on it because it would take so long. I never believed I could do two things at once. The jobs I had were minimum wage jobs that you wouldn't want to pursue for too long, or that couldn't really take over your life.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
I just don't know artistically - because I don't write my own music - I don't know artistically what an album would mean for me. I don't know what I would want to say with an album that would be unique to me - something that hasn't been done before. I'm just not sure what that is. But I'm absolutely open to it.
I did make a solo album in my house when I was there. And because I was just afraid of flying, I wouldn't promote it, and I wouldn't tour. Actually, it wasn't a very good album anyway - it got buried underneath the pits of Hell, I suppose.
I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.
Well, it's a nice quiet time for Iron Maiden, and I'll be releasing a new solo album next year, so this is a really good time for the managing out my solo career, which is quite well.
I mean, I don't think I would call Claus to do an album of big band tunes. You know, just like arrangers write for the artist they have in mind; you have to keep in mind if you're going to work with Claus Ogerman. You invite him to do what he does.
When I did my solo album, I put on a song that I'd planned for Toto that never made an album constructed from a great drum track with Jeff and a bass track with Mike and the guys loved it.
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