A Quote by Brittany Howard

When I first started, I was much weaker of a singer because I wasn't used to singing so much. Now I've learned, when I'm singing on stage, not to go over. You can go over and mess yourself up. I used to do it all the time, wouldn't know how to preserve it for the next show.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.
I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.
I've never thought of myself as a singer anyway. . . I've been free from those considerations because so many people over the years told me I don't have a voice. I kind of bought that. I never thought that much about it to begin with. I knew I didn't have one of the great voices. As my Damon Runyanesque lawyer used to say, "none of you guys can sing. If I want to hear singing, I'll go to the Metropolitan Opera."
If you want to preserve - I'm very serious now - if you want to preserve democracy as we know it, you have to have a free and many times adversarial press. And without it, I am afraid that we would lose so much of our individual liberties over time. That's how dictators get started.
I think I've been influenced by everything I've ever heard. The first thing I ever heard was my grandma, who was an opera singer. The first song I ever learned was the 'Nessun Dorma' from Puccini's 'Turandot.' My father was a big band singer, so I used to hear him walking around the house singing standards all the time.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
Sam Cooke was a gospel singer like myself, and when he crossed over and started singing rock n' roll, it kind of gave me the green light to go ahead and do it.
I had to come out on stage with my little staff and robe and I had this sun on top of my head that my mom made - that was the first time I was ever on stage singing in front of anybody. I realized that I was one of the best acts of the night but I didn't give singing much thought after that. I was really into playing baseball.
My grandma did opera singing for the better part of her life; she used to sing all over the place. My grandpa was a sax player, and he used to travel all over the place, too.
I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.
My mum enrolled me in this free dance class because I had so much energy in the night-time, and she just wanted me to go to sleep. I ended up falling in love with dancing, singing, acting, the whole entertainment world. Then, my mum ended up taking on an extra job so she could fund me to take singing lessons or go to drama classes.
When I used to be on stage, I used to be out of breath; I couldn't walk that far. Now, I got so much energy. I can do a whole show.
After all, when we were children, when things went wrong, there wasn’t much we could do to help put it right. But now we’re adults, now we can. That’s the thing, you see? Look at us, Akira. After all this time, we can finally put things right. Remember, old chap, how we used to play those games? Over and over? How we used to pretend we were detectives searching for my father? Now we’re grown, we can at last put things right.
I cannot really recall when I faced stage fear because I started so young. It's my natural habit. But you know, I can see how I have changed, rather improved as a singer. I never had a formal training but regular practice of singing.
When I was a kid, I used to cry every time I lost a game, up until, like, the 8th grade. I used to go ballistic. I used to go crazy. If I cried, it'd be like, 'Ah, Chris is crying again... damn it... come on, get in the car.' All that over one game. I hated to lose.
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