A Quote by Brittany Murphy
I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.
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Tourism as a number-one industry is a terrible, terrible idea for any city, especially New York. If you were going to turn a city, which is a place where people live, into a tourist attraction, you're going to have to make it a place that people who don't live here, like. So I object to living in a place for people who don't live here.
I think living in Baltimore and being a part of the community and trying to be part of as many communities as possible within the city, the best thing that anyone can do in Baltimore is just to be a part of it and contribute to it and to not see it as...A lot of people from outside the city see this city for its blight and I feel like people who live within the city do the opposite and see this city for what defines it as, in my mind, the most beautiful place to live.
People have these perceptions; maybe they've been here for a day, or have only heard about it. It was like when I first came to work here. You want to see the clean city that is always talked about, how nice the people are, the restaurants, the vibe, how diverse the city is. That's what we want to show: what an enjoyable city it is, what a great city it is. Forget about basketball.
Living in the city is a discordant thing, an unnatural thing. The city, a place to which one goes to do business, is a place where men overreach each other in the fight for money. But it is not a place in which one can live.
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
Well, I'll tell you something, this wedding is something that I will always, always cherish. It was a show of love and support and kindness like I'd never seen from the people, and that's who I entertain. I entertain the people.
People here always said to me, Why would you leave civilization to go to a place like Fiji? Fiji is a far more civilized place than California or New York City.
People here always said to me, 'Why would you leave civilization to go to a place like Fiji?' Fiji is a far more civilized place than California or New York City.
When 'Sex and the City' aired its first season, people didn't know about HBO as a place for original series. People weren't saying, 'Oh I've got to watch 'Sex and the City'!' They found it later. In some ways, it helped change what people thought of HBO.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
Every time I'm in a foreign place and a different city, I'm always asking around to say, OK, well, what's special here in this particular place? What makes these people move here and why?
Black people are victims of an enormous amount of violence. None of those things can take place without the complicity of the people who run the schools and the city.
I know the one-week stands and the moving from city to city wears a lot of people down. But I find it exciting that's where the audiences are.
It's just as easy to be lonely in a city as out in the wilderness. Easier, really. It's harder to get to know someone when you meet in a crowded place. People can freely ignore you in the city; they can assume they don't have any responsibility for you. When there are fewer people, (...) they begin assuming some kind of responsibility, simply because you naturally do the same.
Most great filmmakers are good at place. Like how people say, like, "The city itself is a character in the movie," you know? I'm so interior. I always forget there's such a thing as an exterior wide shot, where you can see where someone is. As opposed to just: how can we show what this person is thinking, in an abstract way that is felt?
It seems to me that whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook while never doing anything to the stuffy house in the city is to waste creativity in this very basic area, and to hinder future creativity by not allowing it to grow and develop through use.
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