A Quote by Brittany Murphy

I've never formally trained in acting, so I'm very instinctual and visceral with decisions. — © Brittany Murphy
I've never formally trained in acting, so I'm very instinctual and visceral with decisions.
The fact that I am not formally trained never really bothered me. There were times I knew it could have been a brownie point, had I been trained, but it never pulled me back.
I was an accidental actor. I was never formally trained.
The way that I write is very instinctual and based off raw feeling--I'm a very emotional person and I think that comes across in my writing. Also the songwriting that I enjoy, for example Elliott Smith, Leonard Cohen and Nico tend to be both photographic and visceral.
I think a lot of the inspirations for me are very instinctual and subconscious. I don't over intellectualize stuff much. It's a very instinctual thing.
From a very young age, I felt a spiritual, visceral, instinctual connection with 'black is beautiful.' Just the black experience and wanting to celebrate that. And I didn't know how to articulate that as a young child.
I've never been to acting classes or anything like that. Everything I do is quite instinctual.
I've never formally trained for pain management, but I have a good understanding of how to conquer it. I just analyze the pain, feel it in the moment, and then mentally become numb to it.
It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
I never designed before. I wasn't formally trained in design, I went to photography school at the ICP. But over time, I taught myself to draw, and I studied different techniques, various hemlines, and then I would take the ideas to a manufacturer and a patternmaker and have them produced into garments.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view.
Anne Romaine [ is ]folk singer and a skillful historian, even though she was not formally trained in the field [of Malcolm X].
As someone who's never been musically trained, I am sort of used to being in a position where I have to kind of do things on the fly because I wasn't trained as an actor, either, and I've very much learned on the job.
I find that the acting's getting easier - with experience, everything is more instinctual.
Acting is really instinctual and I think you can overanalyse what you're doing. A lot of it has to be based on instinct.
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