A Quote by Brittany Snow
I didn't really work with Vin on it except we talked about it a little bit. I think it was kind of cool because we didn't think it was going to be that emotional. I don't think Vin knew I was going to be that emotional.
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I think when you're in your 20s, going from adolescence to about 24, I think your life is a series of emotional storms that you have to weather. Life is more emotional at that time, and you're less equipped to deal with what life throws at you. I always think that if you can get past 24, than life really starts at that point.
TV is the only medium that I've ever been successful with in delivering really emotional messaging and I think as people are trying to work their way through what this changing environment is going to mean, playing to the emotional side as well as the pragmatic and the rational side is going to be something that a number of brands will want to fully explore.
I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.
I think that when we're looking at things when we're right in the center of things, as opposed to being a bit unmoored from what's going on around us, we see things through a kind of dulling lens of convention, and there's something about extreme emotional experiences that gives us a heightened clarity, I think, of thought and of feeling.
It's a mystery," Vin said, narrowing her eyes and smiling. "We Mistborn are incredibly mysterious." Elend paused." Um...I'm Mistborn too, Vin. That doesn't make any sense." "We Mistborn need not make sense," Vin said." It's beneath us. Come on-the sun's already down. We need to get moving.
I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.
Belief?" "Yes," Sazed said. "Tell me, Mistress. What is it that you believe?" Vin frowned. "What kind of question is that?" "The most important kind, I think.
I think it's only through learning, and doing something uncomfortable, that you can actually change. That's why I wanted to do a play. I was so scared of it and I knew my brain would really be stretched and it was going to be hard. And it was hard and uncomfortable. Instead of naturally wanting to avoid all those feelings I need to lean toward them more. But saying that, don't ask me to make a lasagna or a Coq au vin.
For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.
I think we give Jimmy Carter too much credit to think he knew what was going to happen when he used the word "apartheid." It's provocative, but it was like a nuclear bomb in Israel. And yet that word is used all the time in the Israeli press. There's a double standard there. He probably picked it up in Israel, as it's commonly discussed. I'd be a little surprised if he understood how it was going to be used against him. He doesn't have a highly developed emotional detector. As a politician, that was a weakness.
I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
In 'The Prophet' I really fell in love with those characters, there was an emotional connection there that I don't think I've had in a while. It made me think it would be nice to stick with the characters for a little bit and see what happens.
Vin Diesel is the best kisser in the world, better than anyone else I've ever had. The most attractive thing about Vin is his brain. That's his most attractive muscle.
In terms of writing, I think something happens to you, and you think, "Oh I'm going to write about that. That's an emotional event." But obviously, if you keep going, and it's something you do with regularity, you've got to find other ways to write.
I don't think I could ever go skinny. I just don't think, physiologically, that is going to happen. I do eat healthily for a week, and then I go, 'Nah, they have these beautiful ice-cream sandwiches.' I don't think my emotional eating is ever going to change.
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