A Quote by Bronson Pinchot

You can have a knack for dancing, but you still have to practice till your feet are bleeding to be worthy of being in front of an audience. — © Bronson Pinchot
You can have a knack for dancing, but you still have to practice till your feet are bleeding to be worthy of being in front of an audience.
Dancing brings an endlessness in which nothing matters but to go on dancing - in a room, till the walls disappear - in the open, till the sky, moving as you dance, seems to cleave and let you through.
I can't wear flat shoes. My feet repel them. I was in agony. My high heels had left my feet bleeding. Laugh all you want, my feet hurt
It's another myth that dancing distorts or destroys your feet. If you have the right shaped foot to start and a good, strong technique, your feet should be fine.
With aching hands and bleeding feet We dig and heap, lay stone on stone; We bear the burden and the heat Of the long day, and wish 'twere done. Not till the hours of light return All we have built do we discern.
'Jhalak Dikhhla Jaa' has helped me shed my inhibitions. Dancing in front of an audience was not easy for me. But I managed it and got progressively comfortable with the audience as the weeks progressed.
The thought of dancing in front of an audience terrifies me.
I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy.
Dancing is my number one love. That was my first goal as a child. I would love to do stage, maybe do Chicago. I love being in front of an audience. It's so stimulating. I also love to barbecue.
Creation is a knack which is empowered by practice, and like almost any skill, it is lost if you don't practice it.
You can kind of run drills and practice, rehab behind closed doors as much as you can, but there's nothing that simulates being in front of a live audience with live TV cameras.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
When I first saw tap dancing, I immediately got it: the righteousness of being able to make so much noise with your feet!
I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
I'd get out at school at 3:00 P.M., show up to dance practice at 6:30 P.M., practice for three hours till 9:00 P.M., get home at midnight, and try to do whatever homework I could before getting back up for 7:00 A.M. But I did it because I liked dancing, and I loved the music.
A journey of a thousand miles starts in front of your feet. A tower nine stories high is built from a small heap of earth. A journey of a thousand miles starts in front of your feet.
[Positive mental attitude] is a practice, you gotta practice. I practice being still.
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