A Quote by Brooke Hogan
When you're 17 and a record label says, 'Hey, do pop,' you listen.
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Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
When I sign people's stuff I put down John 3:16 and 17. Most people can tell you what 16 says, OK. "For God so loved the world that He gave His only begotten son." But they don't know nothin' about 17. It says Jesus didn't come to condemn us. If anybody had a right to condemn someone, it would be the son of God. If he didn't do it, then hey, we definitely are not qualified to do it.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
Gavin DeGraw - his first record is the reason that I wanted to start writing music. The way that he says something that everybody says on a regular basis but he says it differently. It makes you kind of perk up and listen.
My style when I was 17 was very low-key with jeans, T-shirts, and Converse. I was signed to a major record label by then, so I had stylists helping me.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
After we wrote The Wreckoning, our record label did listen.
I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.
A Writer says: read what I have written An historian says: listen to my lecture A critic says: listen to what I think A journalist says: let me tell you a story.
Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
There is such a thing as good interference from your record label. I don't think I get enough interference from my record label.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.
I love the way I make hip-hop and I refuse to make pop-rap. I don't refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn't get played on the radio and I still wanted to have a relationship with my record label. So, I really enjoyed doing the Strickland Banks album. But there's no point in my trying to release underground hip-hop music on a major label. That part of my talent, or part of my art, had to live somewhere else and feature film was the perfect vehicle for it.
I'm not a country music fan, so if you slide me some music and say, 'You gotta check this out; it's country,' I'm going to be a little hesitant to listen, and I think if someone says, 'Hey, you gotta listen to this guy rap; he's Christian,' you're like, 'I don't identify as Christian, so not really sure I want to listen to that.'
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