A Quote by Brooke Nevin
I don't think anybody in my graduating class would have figured that I would be doing full-on single-camera comedies or sitcoms, or anything like that, but it certainly has been a part of my career.
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If I were to finish my career without a title, I would certainly be disappointed. But I don't think it would be something that would eat away at me... I think I certainly would be able to live with it.
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
I'm really into the rights of immigrants, the rights of the working poor. I'm one of those little activist types. I probably would have just gone to law school. And the scary part is that I was one of those kids who always tested really well. You put a test in front of me, and I would have been like do-do-do-do-do. I probably would have been some community lawyer somewhere - if anything, that's probably what I would have been doing.
What I really want to do is comedy. I would love to do some guest star spots on some single-camera comedies.
I was open to anything. That doesn't mean I would do anything, it just means I was open to anything. I've met for dramas, single camera comedy, multi-camera comedy. I take each script as an individual project.
Where Brock Lesnar would be without Paul Heyman? He would certainly be on top. He would certainly be the number one box office attraction. He would just be doing it without someone who truly understands his persona like I do.
Sitcoms, I always figured that would be an easy gig, but man, it is not.
From my point of view, why shouldn't I work in every possible mode, to see if it's viable? "Los Gigantes" would not have worked as a straightforward, naturalistic tale. Part of the fun of it is that it's so preposterous and yet at the same time, it could have happened. Think of eugenics. Hitler certainly would have been doing it if he could have.
I like storms. I would say I actively like stormy weather. I would not be afraid of them. I think that if I had not pursued journalism, I think storm-chasing would've been a really fun career.
So the only things I was being allowed to audition for were small roles in comedies. It broke my heart. No one would see me for anything else. I knew, in order to open up my career, I had to leave or that's all I would ever be given.
I don't think I would have been great in the 17th century. I would have enjoyed the frocks, and certainly some of the food would have been appealing, but the disease and hygiene would have worried me.
The projects I have done on television, they're sitcoms, situational comedies. The problem is, maybe because they go on every day, Monday through Friday, one-hour format, maybe that's why they're labeled as a telenovela. But technically speaking, they're sitcoms because they're situational comedies.
I've been a part of this before, where you think the racing gods are against you, then next thing you know, you can't do anything wrong. You're winning races and doing things you feel like you shouldn't have done that particular day. It all comes full circle in this sport. It has a funny way of doing it.
For the most part, I would say that I have always had a great love for the sport, just doing what I do. I think my success could be greatly attributed to that. I don't look at it like it's a job or anything like that. Its more like a hobby, something I have fun doing.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
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