A Quote by Brooke Waggoner
There seems to be something pure in pulling from a place in time that's "innocent" and untouched by outward opinion. I wanted this album to have threads of my past to enrich the topics I wanted to address about aging.
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I wanted to be different. I wanted to address everyone. I wanted to address the hood, but also the people that was getting money. I wanted to address the men and women, the kids and the adults.
I really wanted to do something positive on the Internet. I wanted to try to get young people talking about, thinking about, life's big questions-make it cool and OK to wonder about the heart, the soul and free will and God and death and big topics like that, big human topics.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
I didn't want to do an electro-class album or complex rap album. I wanted to do something that was kind of like a political statement, but also club jams. I wanted it to be dancy, but intelligent at the same time.
I think with the 'Get Weird' album, it was the hardest album we've ever made so we had no idea what sound we wanted to go for, we didn't really know what we wanted to write about... and so it took a lot of time.
My first year making music was very experimental. I was trying to find my sound. My second year, I was more in my element. I knew what type of production I wanted to go over and the topics I wanted to address.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
I always wanted to make a children's album because you have the freedom to explore so many wonderful topics and sounds.
I am appalled that the term we use to talk about aging is 'anti'. Aging is human evolution in its pure form. Death, taxes and aging .... We are ALL going to age and soften and mellow and transition.
'Wanted' is about a girl I was friends with, but at the time it was teetering on the edge of something more. I wanted to show her that I really cared about her. 'Wanted' was my way of saying, 'we're friends and have a great foundation, and this could be something really special.'
So many times nowadays it's about having two good songs on an album and a bunch of filler, and I wanted to make something that I felt every song on the album was fun for everybody.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
It feels like we have two threads running through our lives: one pulling us into the world to achieve, the other pulling us back to replenish us. These threads can seem at odds, but really, they enforce each other. It's not a trade-off between success and sleep.
The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.
When Kate Spade New York told me that we would be going to Dubai to celebrate the opening of two stores there, I was so thrilled - Dubai has been a place that I have wanted to visit for quite some time. There was something mysterious about Dubai that I wanted to see for myself so I could draw my own conclusions.
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