A Quote by Brooks Koepka

For some reason, I can really tune in in the majors, and I have no idea why. They really get my attention. — © Brooks Koepka
For some reason, I can really tune in in the majors, and I have no idea why. They really get my attention.
Science is not the means by which we come to understand why physical laws and circumstances are the way they are. When we ask why - assuming the question is really 'why' and not 'how' - we are really asking to know the motive of some responsible agent capable of reason.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.
The reason why we do maths is because it's like poetry. It's about patterns, and that really turned me on. It made me feel that maths was in tune with the other things I liked doing.
Some people thought I'd be on the PGA Tour, that I'd win tournaments, play in majors, contend in majors, win majors. I thought they were crazy.
Throughout my 20s I spent a lot of time just playing and not really working, but fortunately for me I continued to get just enough work, and have a reason to wake up in the morning. I really empathize with some of my peers who had success in the early years then it dries up, and so there's no reason to get up in the morning.
I think for really good-hearted people, that idea of putting yourself in the shoes of a monster to figure out why they acted that way, that's a really frightening idea.
You got a lot of ladies to get through. You’re still young. First love’s the sweetest, but it doesn’t last.” “Not ever?” I ask. Grandad looks at me with a seriousness he reserves for moments when he wants me to really pay attention. “When we fall that first time, we’re not really in love with the girl. We’re in love with being in love. We’ve got no idea what she’s really about—or what she’s capable of. We’re in love with our idea of her and of who we become around her. We’re idiots.
I think there's really no rhyme or reason as to what keeps a show on air. Surely it's a numbers game, but some of the best shows get canceled, and some shows where you don't totally understand why they're on the air stay on for 15 or 20 years.
On stage, that for me is a space I really love to be in. It's a time to really get drawn into the music and the moment with my friends. It's the best reminder of the reason why we're doing what we're doing.
There's also the idea in this country [USA], it's not wholly new, but it's new in its kind of purity, in that you have to be really smart to be really rich. I always say to people, the reason people believe this is a) they've never met a really smart person, and b) they've never met a really rich person. I have met both, and I cannot see the crossover. You do not have to be a genius to get rich. You have to be ruthless to get rich.
It's a very smart and heartfelt movie and that's why, I think, we're all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it.
Some of the reason why we marry the wrong people is that we don't really understand ourselves.
I wrote [Collateral Beauty] on my own. I didn't get paid to write it. I didn't sell it as a pitch. It was an idea I had that I really, really felt needed to be in script form before showing it to anyone in the industry because of the uniqueness of the idea, and the weirdness of the idea, to be frank.
I think people are really desperate for conversations. I'm really fascinated by the idea that at the same time, the internet is sort of expunging our attention spans.
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