A Quote by Brooks Koepka
A question I get asked a lot in pro-ams is how I'm able to swing the club as hard as I do. Honestly, I'm not swinging that hard. I'm using about 75 percent of my maximum effort.
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I like using a 75-percent swing for wedge shots instead of full force.
Swing hard, in case they throw the ball where you're swinging.
Skating takes up 70 percent of my time, school about 25 percent. Having fun and talking to my friends, 5 percent. It's hard. I envy other kids a lot of things, but I get a guilt trip when I'm not training.
You have to just forget about the ball and swing the club. It's hard to see if you don't hit the green.
If the wind is in your face, you swing too hard just to get the ball through it; if the wind is at your back, you swing too hard just to see how far you can get the ball to go.
The big thing is, it's about learning which off-speed pitches to swing at. A lot of people say, 'Oh, this guy can't hit a curveball; this guy can't hit an off-speed pitch.' But it's about swinging at the right one. Swing at the hangers. Swing at the ones you can handle.
I get sick of saying how hard everything is. It's hard to get up in the morning. Everything's hard. Everything takes effort.
I honestly believe that you have to be able to play the guitar hard if you want to be able to get the whole spectrum of tones out of it. Since I normally play so hard, when I start picking a bit softer my tone changes completely, and that's really useful sometimes for creating a more laid-back feel.
The toughest thing in hitting shouldn't be deciding when to swing. It is, for me, deciding when not to swing. You should be swinging from the time you get into the batter's box until something says don't swing.
Me and my comedy writer friends talk a lot about how we love 'Die Hard,' but we'll never be able to write 'Die Hard.'
Your longest drives will come when you feel you're swinging at 75 percent.
Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
I train hard. A lot of people that I train with, they get blown away by how hard I'm able to train.
I think that people are able to see that I am working hard, that I am striving openly, honestly and sincerely to achieve the results the results our country needs. I think that they are also able to see that not all goes well. Our people are smart and sharp-sighted. Yet, I believe that the main thing is to sincerely aspire to achieve the maximum, so that the country feels more secure and people live better. That's precisely how I am trying to go about my work.
It's hard to answer a question you haven't been asked. It's hard to show you tried unless you end up succeeding.
I never had any thought the whole week. I figured my caddie [Jerry Beard] knew the course a lot better than me, so I put out my hand and played whatever club he put in it. I'd say, "How hard do I hit it?" He'd tell me and I'd swing. The guys who come down here once a year and try to get smart with Mr. Jones' course are the dumb ones.
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