A Quote by Brownie McGhee

From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto. — © Brownie McGhee
From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.
I met Sonny after (Blind Boy) Fuller died, and me and Sonny played in the streets like everybody else.
The best compliment came from Knopf's Sonny Mehta. We were at lunch in New York with my editor, Gary Fisketjon, it was my first time meeting Sonny, and after ordering our food, he turned to me and said, 'Adam, I read 'Mr. Peanut' in two days; every page surprised me, and that, I can assure you, doesn't happen often.'
The word had spread and people were piling around us. But then very suddenly, Sonny Liston froze me with that look of his. He said real quiet, 'Let's go on over here.' And he led the way to a table and the people hung back. I ain't going to lie. This was the only time since I have known Sonny Liston that he really scared me.
My hero when I was 14 was Sonny Liston. No matter what kinds of problems you were having with your parents or at school, whatever, Sonny Liston would go and knock guys out, and that made it all right.
I remember when we did our first read-through, Sonny [Bono] looks at the script and he goes, "Okay, I'll see you guys later. Chai-ay-oh!" And I said, "It's ciao! Aren't you Italian? C-i-a-o doesn't spell 'chai-ay-oh.'" Sonny's dead, so he won't be embarrassed if I tell that story.
(As a boy) I was listening to Sonny Boy Williamson's (I) records and I would close my eyes and I could visualize myself playing the harp.
Sonny Liston stood up to me and actually made me give ground. No one has ever done that to me before or since.
My little boy Sonny makes me laugh all the time. He has good comedic timing.
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Hearing Sonny Rollins live... that was really amazing. There were so many things that really blew me away at that time [of schooling].
You can't just sit around and watch life pass you by. You have to keep dreaming. Sonny taught me that, and I intend to do him proud.
Sonny Von Bulow, who said to her husband Claus on their honeymoon, Stop needling me. Never got a dinner!
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
It's a clear day Sonny, L A N D.
Grover Washington was my main influence, and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
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