A Quote by Bruce Babbitt

There's a basic kind of tension here. It's between those who say, I'd like to clear cut this forest and reduce it to saw timber because that's an economically productive thing for me to do.
If you manage to stop the timber industry from cutting this forest, they'll cut that forest. If you stop oil drilling here, they'll go drill there.
I don't find the wave model very productive, because I think it kind of serves to fan the flames of generational tension, or make it seem like there's more generational tension than there actually is.
There's always a tension between those who would like to garner wealth, and they contribute a lot to society. There's also those who say, 'I believe in the common good. I want that to be enlarged.' They contribute a lot to society. The tension, the debate, between these two views is extremely important to our progress.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
I've always been interested in the tension between knowledge and mystery, between science and religion, and the various ways we cope with the unknown. Some of those are productive; some can be attempts to pin down things that are by nature impossible to know.
As I like to say to the people in Montgomery: "The tension in this city is not between white people and Negro people. The tension is, at bottom, between justice and injustice, between the forces of light and the forces of darkness.
I imagine how hard it might be to walk down the runway. Me in heels is, like, deforesting the forest, knocking trees, completely 'timber!'
In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.
One of the reasons why I say we all need to work together to save the Congo forest, because if we don't save the Congo forest, the Amazon forest and the southeast Asia forest, if those forests release the carbon they are trapping at the moment, much of what you will be doing in the North will be negated by the amount of carbon released into the atmosphere.
Inequality and hierarchy are natural, but that doesn't mean they are right, that doesn't mean there is isn't a productive tension between those forces and the forces of equality.
That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren’t so clear. The dark was still a mystery, something hidden, something to be scared of, but I’d come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn’t know it, bright, inescapable, and somehow, still there.
I'd love if people relearned the lessons of the 20th century all over again. Which is to say this country progressed economically and socially when we had a better balance between capital and labor. Neither capital or labor won every argument. The battle between the two created economic tension, and transformed the working class into the middle class, and grew the economy.
When I was a kid, I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really - something that was almost see-through, but it just moved in front of me.
Great companies foster a productive tension between continuity and change.
Finnish forests: Let us remind the satellite pictures of the 1970's winter in which the old forest appeared black and young forest and cut downs white. Already then the Finnish borders were like drawn on the map: White Finland between black Karelian and black Sweden. Finnish Forest Research Institute hicced up some time and then decided that the pictures are fake.
I don't love balls and sleeping beauties, that kind of thing. I think the great thing about 'Snow White' is those images have scarred me since I was a child with the Queen, the mirror, the taking of the heart, the huntsman and the enchanted forest.
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