A Quote by Bruce Barcott

A gripper of a read . . . Silence revives the cliff’s-edge drama of those Jazz age climbs and drives home the tragedy of Mallory’s death. — © Bruce Barcott
A gripper of a read . . . Silence revives the cliff’s-edge drama of those Jazz age climbs and drives home the tragedy of Mallory’s death.
He who climbs a cliff may die on the cliff, so what? Always a risk-taker by nature, now I became one by intent.
Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.
Music can be useful during training to help get you psyched, and I still listen to music on easy climbs or in the gym. But during cutting-edge solos or really hard climbs, I unplug. There shouldn't be a need for extra motivation on big days, be it music or anything else. It should come from within.
I grew up in a home filled with music and had an early appreciation of jazz since my dad was a jazz musician. Beginning at around age three I started singing with his band and jazz music has continued to be one of my three passions along with acting and writing. I like to say jazz music is my musical equivalent of comfort food. It's always where I go back to when I want to feel grounded.
When one drives away the negligent through vigilance, he climbs the heights of wisdom, and can see the suffering masses. Serene, you look upon the lost like one that stands on a mountain sees those that stand upon the plain.
Mallory," he said, sounding raw and staggered and touched beyond words. "God, I was so stupid. So slow. I didn't know what to do with you. I tried to keep my distance but my world doesn't work without you in it." -Ty to Mallory
When I stand on the edge of a cliff or right at the edge of a building or something, it's one of the few things that gives me kind of a deep, overwhelming, irrational fear where it affects my physiology.
The Jewish problem is as old as history, and assumes in each age a new form. The life or death of millions of human beings hangs upon its solution; its agitation revives the fiercest passions for good and for evil that inflame the human breast.
We think a flower on a cliff is beautiful Because we stop our feet at the cliff's edge Unable to step out into the sky Like that fearless flower --Sosuke Aizen,Flower on the Precipice
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Ten years ago, I went to visit my dad in Australia. I walked to the edge of a cliff and looked over and tripped. I righted myself but my head was over the edge. No one saw it.
With 'Horror Story', it really was, 'You're going to run; you're going to jump off this cliff, and trust that that Ryan Murphy is going to catch you.' So I just ran head-on into it and jumped off the edge of that cliff.
What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
Death is not a tragedy to the one who dies; to have wasted the life before that death, that is the tragedy.
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