A Quote by Bruce Barnbaum

There's a rapport that any photographer is going to have with his subject matter. And if you don't have a rapport, you're going to find the task of photographing it difficult.
Rapport is the ultimate tool for producing results with other people. No matter what you want in your life, if you can develop rapport with the right people, you'll be able to fill their needs, and they will be able to fill yours.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
We have to reach out to churches and schools and help people understand science, and we have to build rapport between scientists and people of faith. Then once we get that understanding and rapport built, then everyone will be on board with climate change.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
What some highbrows call rapport is nothing more than a mild flirtation between photographer and the girl on the other side of the camera. Some models get so professional they can send hours flirting with the camera itself while the poor photographer is reduced to the role of spectator.
I've been going to Russia since 1979. I've been going quite frequently, and I've always had a wonderful rapport with the Russian audiences and with the Russian people.
Part of the pleasure of giving a reading comes from the rapport between the audience and the poet. I don't want to get mystical here, but there's an energy flow that begins with the poet, and the energy goes out to the audience, and they're energized, and then they return that energy to the poet. As someone standing up there alone, facing these people, I can feel that rapport (or its absence).
It was always going to be difficult, no matter what I'd set up, no matter how many children I have got to take my mind off things. There was always going to be a moment when I finished playing, that I was going to find tough.
I think a good rapport is required between actors for any film.
When the depressive psychosis has become manifest, its cardinal feature seems to be a mental inhibition which renders a rapport between the patient and the external world more difficult.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
I share a very good rapport with Shah Rukh, so I was at ease working with him, and Imtiaz is a dream director for any actor.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, were going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject.
The most important thing you learn as a sports photographer is anticipation - not where the action is taking place, but where it’s going to take place. Not where the subject is now, but where they’re going to be.
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