A Quote by Bruce Boxleitner
Basically I started to jot notes, lots of faxes back and forth to my writer, we faxed ideas throughout the whole first draft, and started all over again.
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Way back in my mid-20s, I started making notes. I would just jot things down: lists of street names, songs, peculiar turns of speech, jokes, whatever.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.
Well it took many years. I started with many ideas, threw them away, started all over again. And eventually it evolved into what you see today at Disneyland
I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
Basically, I started singing when I started talking. Music has just been my saving grace my whole life.
I feel like it had an impact, in that it started the attention that has been paid to what was happening. It started to get us into this whole conversation about prison reform, the whole bipartisan dialogue that's been happening over the past five, six years about this, where you have a Van Jones and a Newt Gingrich, and you have the Rick Perrys and so forth getting up and talking about the need to reform.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
It's so hard to get started creatively - it's really hard to get those first ideas out. You just have to do it over and over again, and hopefully better ones start to come. Also, anytime a good idea comes up, for a long time I think, "Oh, my God, that was so lucky that I thought of that idea, whew, I hope that happens again." The more you work at it, the more it happens, but it still feels lucky.
I accidentally met Don Callis in Japan. I was at New Japan and I was with mutual friends, and I met Don on accident and started telling him some of my ideas. We started talking and he basically at dinner was saying, 'Hey, we should give you a job.'
I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.
Throughout the late '80s, me and a handful of friends just like you people here, we started to break windows, we started to slash tires, we started to rescue animals from factory farms and vivisection breeders, and we graduated to breaking into laboratories . As long as we emptied the labs of animals, they were still easily replaced. So that's when the ALF in this country, and my cell, started engaging in arson.
The reason that we are becoming less equal is because of the greater requirements, secure requirements, for a good job. This goes back to the '80s basically, this started changing as globalization and the IT revolution merged, and each started to drive the other.
Every first draft sucks, so when you have your favorite novel, and you're like, 'Wow, this is a masterpiece,' and then you write your first draft, and you're like, 'This is really bad,' and then you're like 'I can't do this because this is nowhere close.' When, in reality, the book you loved so much started out just as crappy.
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