A Quote by Bruce Buffer

When there's a decision and it was a close fight, you build up the drama. I announce the first two scores, and then I have a count in my head, right up to the point where everyone is on the edge of their seats thinking 'Come on!' and then I hit them with it.
I was watching fights on TV one day with my oldest son and we watched a ring announcer announce a split decision where he gave the winning scores first, so he took away the drama. So my son said: 'Dad you could do that,' and the light went off in my head and I decided to contact promoters and got my foot in the door.
I try when I'm writing to fill my head and my ears with all sorts of stuff and then let it settle and filter through. At a certain point it seems like fruitless activity because you're taking a lot of time and not seeming to get anything. And then, slowly, you realize you've actually digested elements and that your thinking is being freed up and the way you build up compositions is changed as a result of what you've been listening to.
but it is also true, if this brings her any consolation, that if, before every action, we were to begin weighing up the consequences, thinking about them in earnest, first the immediate consequences, then the probably, then the possible, then the imaginable ones, we should never move beyond the point where our first thought brought us to a halt.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
Sometimes you build up these walls, you build and you build and you build up these walls and you think they’re so strong, but then someone can come along and tip them over with only his fingers, or the weight of his breath.
It's fun to do a comedy and hook people in and then hoodwink them into watching a serious movie. I like to lead in with the comedy and then hit them over the head with a drama.
You're dying right now. Right this minute.' He looked at his watch, said, 'Right this second,' then tapped it with his finger. 'See there? That second passed. It's gone. Not gonna come again. And while I'm talking to you, every second I'm talking, a second is passing. Gone. Count them up. Count them down. They're gone. Each one bringing you closer to your dying time.
The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.
If I get my teammates going early, then my shots usually open up. Come off pick and roll and make the pocket pass on the first one. Then it's like OK, does the defender step up now? Then next time I may have the layup. So, just playing the game like that. Reading and reacting and not thinking too much.
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
My wife cooks, I clean. Then I go to practice, come home, and take a two hour nap. I wake up, shave my head, then it's time to ball.
Then I heard another shot which hit him right in the head, over here, and his head practically opened up and a lot of blood and many more things came out.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
When you're up-and-coming in your career, yes, maybe you have to dodge certain guys. 'Hey, my wrestling isn't good yet, let me get it on-point and then I'll come back there,' or, 'I'm not going to fight that guy right now,' because whatever, when you're up-and-coming. But once you're already at the top of your game, you're in there, man. That's it.
I think it's kind of awkward when everyone knows you're gay but you don't say it. I had been thinking about coming out for almost a year before I did. I thought about it seriously on the plane ride home from the World Cup, while I was casually talking to my friend Lori Lindsey. She said, "Dude, you should just come out." She was right. Everyone in my life already knew. If you want to stand up and fight for equal rights but then won't even stand up for yourself and say "I'm gay" - that just started to feel weird.
...I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it.
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