A Quote by Bruce Chatwin
Proust, more perspicaciously than any other writer, reminds us that the 'walks' of childhood form the raw material of our intelligence.
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Everything is raw material to me. Land is raw material... I take one form and transform it into other forms.
A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
Despite all the doom and gloom that constantly assaults our senses, there is a way for us to ransom our lives and reclaim our futures: it consists in turning away from the world to recognize what in life makes us truly happy. For each of us, what that is will be different. But once we obtain this inner knowledge, we will possess the ability to transform our outer world. "You can live a lifetime and, at the end of it, know more about other people than you know about yourself," the pilot and writer Beryl Markham reminds us. We cannot let this continue to occur.
Music gets us in touch with our emotions in a way that's more intimate than any other art form.
We know that material things don't offer contentment, but we still buy more-more of the props and gadgets our culture tells us we must have in order to be happy and "happening." Our addiction to consumption distracts us from seeing that we are disconnected from ourselves, from our truth and from one another. Any euphoria we gain from our material gains is fleeting at best.
The dominant question for us with regard to literature has become, 'What does this have to do with me, with life as I know it?' That's the question answered by all these books about how Proust was actually a neuroscientist or how Proust can teach you emotional intelligence.
When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.
As Director of National Intelligence, I am entrusted with access to more intelligence than any member of the U.S. government other than the president. I oversee the intelligence agencies, and my office produces the President's Daily Brief detailing the threats facing the country.
All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
Emotional intelligence, more than any other factor, more than I.Q. or expertise, accounts for 85% to 90% of success at work... I.Q. is a threshold competence. You need it, but it doesn't make you a star. Emotional intelligence can.
The American lawn uses more resources than any other agricultural industry in the world. It uses more phosphates than India and puts on more poisons than any other form of agriculture.
And life is a good thing for a writer. It's where we get our raw material, for a start. We quite like to stop and watch it.
The form is mechanic when on any given material we impress a predetermined form. The organic form, on the other hand, is innate, it shapes as it develops itself from within.
Thanks to postmodernism, we tend to see all facts as meaningless trivia, no one more vital than any other. Yet this disregard for facts qua facts is intellectually crippling. Facts are the raw material of thought, and the knowledge of significant facts makes sophisticated thought possible.
I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
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