A Quote by Bruce Cockburn

I woke up one morning with this song in my head, and the opening line of the song: My name was Richard Nixon, only now I'm a girl. — © Bruce Cockburn
I woke up one morning with this song in my head, and the opening line of the song: My name was Richard Nixon, only now I'm a girl.
I woke up one morning with this song in my head, and the opening line of the song is, 'My name was Richard Nixon, only now I'm a girl.'
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?
I see a direct line between Kennedy and Richard Nixon and the opening to China and the detente with the Soviet Union.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
'Reign' - and this might sound cheesy, but it's a dream I had. I dreamt everything that happened in that song, woke up, and wrote the song.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
Richard Nixon looks like a flaming liberal today, compared to a golem like George Bush. Indeed. Where is Richard Nixon now that we finally need him?
I actually did a project with my puppet one time in fourth grade. I made up a song that went with the rhythm to a song I do now. And I had to make up a song about a penguin and research and put information in the song about a penguin. And I sang it with my duck, because I didn't have a penguin puppet, but close enough.
I wake up in the morning and I say 'Ahh! Today's the day for a song! I'm going to write a song today!' And I do. I write a song.
Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.
The opening line from a journal can be the beginning of a song.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
'Girl In A Country Song' is basically a song about what it's like to be the girl in modern day country songs and how hard it is to be this perfect Barbie doll girl that we are portrayed as.
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