A Quote by Bruce Cockburn

There was a lot more music than the size of the place would indicate. — © Bruce Cockburn
There was a lot more music than the size of the place would indicate.
I think I'm a lot more complicated than my looks might indicate.
Usually, somebody's size is not even in the top five things they would say about themselves. Because there's so much more going on than if they have blonde hair or are a size 12.
Music is a diary. Sometimes people make music as if no one's going to hear it, as if they can just be completely honest. Things are a lot more acceptable said in a song than it would be in person. Art excuses a lot of things.
Changes in size are not a consequence of changes in shape, but the reverse: changes in size often require changes in shape. To put it another way, size is a supreme regulator of all matters biological. No living entity can evolve or develop without taking size into consideration. Much more than that, size is a prime mover in evolution.
I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.
A condition which of declension would indicate a devil, may of growth indicate a saint.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.
I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.
If you took the entire internet and laid it end to end, it would weigh more than the other thing. It would weigh more than it would if it wasn't laid end to end. Like, if it was a ball of rolled up internet it would weigh less. I'm pretty sure. It depends on the size of the scale, I think.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
I want to be interested in the music I make until I die. That's more important to me than the size of my audience.
I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
The size of a person is more important than the size of the problem.
Women always seemed to bring the size they wished they were to the fitting room, rather than the size that would actually fit.
I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.
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