A Quote by Bruce Coville

My writing works best when I remember that bookish child who adored reading and gear the work toward him. — © Bruce Coville
My writing works best when I remember that bookish child who adored reading and gear the work toward him.
Reading aloud is the best advertisement because it works. It allows a child to sample the delights of reading and conditions him to believe that reading is a pleasureful experience, not a painful or boring one.
It usually helps me write by reading - somehow the reading gear in your head turns the writing gear.
My whole life I've always innovated the gear to match my pursuits. I've innovated the best climbing gear, the best slacklining gear, and definitely the most advanced BASE jumping gear.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
I remember reading To Kill A Mockingbird when I was 12. What I liked about it is that it was all seen through a child's eyes. It was Harper Lee going back and writing it from the way a child would see those things.
When you pray for anyone you tend to modify your personal attitude toward him. You lift the relationship thereby to a higher level. The best in the other person begins to flow out toward you as your best flows toward him. In the meeting of the best in each a higher unity of understanding is established.
It is an admonition to myself when I am reading other people's books. Writing a book is very difficult to do, even a bad one. I try to remember that when reading someone else's work.
What works for eating and swimming might work for reading and writing.
It's pathetic, but I don't really remember my first time reading 'The Great Gatsby.' I must have read it in high school. I'm pretty sure I remember it being assigned, and I generally did the reading. But I don't remember having a reaction to the book, even though I loved literature, and other works made a lasting impression on me at that age.
Many of the books I loved as a kid, that even my mother read as a child, are very slow going. Today's children are not as patient. The best example of this is 'The Secret Garden,' which I adored as a child.
I remember unbelievable tension in our home. There were lots of meetings, lots of worries. I remember my father told me I had to be careful of what I said on the phone because it was tapped. And I remember how his friends adored and revered him.
My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.
If I'd done 'Top Gear,' I would have had to have left my job, and I've got the best job in the world. To do 'Top Gear' and do it properly would mean leaving work, and I can't. I don't want to leave work.
Like many authors, I caught the writing bug during my teenage years. I don't remember the exact day or year, but I remember that reading S.E. Hinton's 'The Outsiders' sparked my interest in writing.
How fondly swindlers coddle their dupes! No mother is as caressing or thoughtful towards her adored child as a merchant in hypocrisy toward his milch-cow.
There is no living African writer who has not had to, or will not have to, contend with Achebe's work. We are either resisting him - stylistically, politically, or culturally - or we are writing toward him.
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