A Quote by Bruce Dickinson
My son is in a band, and he’s a singer, and his vocals … they’re screaming-growling stuff … and he’s got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I’m, like, “Hats off to you.”
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My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'
There were hard days when you'd be screaming for hours and then the next day, you'd have a scene where you were just talking and because your voice was so stretched out from screaming for five hours, it would sound weird. It required a lot of adrenaline, too, so you have to be able to turn it on all the time. You felt a bit thin at the end of it, just depleted.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
I believe that the voices of fear, both from without and within, can only be dispelled by trusting the voice that comes from the heart. Be still and listen to it. If it speaks of love and compassion for others, for the world itself, it just might be the voice of God - or a reasonable facsimile. If, however, it snarls with fear of the unknown, fear of losing what you have or of not getting what you want, then it just might be the voice of Rupert Murdoch - or a reasonable facsimile.
I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.
Amid the thousands of shrill voices screaming for our attention, there is but on Voice we need to hear. The voice of the Lord Jesus Christ.
And extracting one molecule's signature in spectral analysis from the rest of the signatures is hard work, sort of like picking out the sound of your toddler's voice in a roomful of screaming children during playtime. It's hard, but you can do it.
She reached out and touched the king’s face, cupping his cheek in her hand. “Just a nightmare,” he said, his voice still rough. The queen’s voice was cool. “How embarrassing,” she said, looking at his maimed arm. The king looked up then, and followed her gaze. If it was embarrassing to wake like a child screaming from a nightmare, how much more embarrassing to be the reason your husband woke screaming. A quick smile visited the king’s face. “Ouch,” he said, referring to more than the pain in his side. “Ouch,” he said again as the queen gathered him into her arms.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
When I was managing Boyzone and Westlife there were screaming girls every night. If there wasn't a high-piched screaming, it was a bad gig. I got used to it.
I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.
It's hard to look pleasant when anguish is present, and yet it is strictly worth while; Not all of your scowling and fussing and growling can show off your grit like a smile.
It's really different without the fans, because there is less atmosphere, no screaming after every corner or chance. But the positive is you can communicate with each other. You can speak with each other. You can hear what the coach is screaming on the touchline.
Originally when I went off to work on 'The Lord of The Rings' I got a call from my agent saying that I was just going to do a voice. But I couldn't really approach it like that. To get Gollum's voice I had to play the character.
It's really hard to find things that are worth leaving them for. [Balancing work and motherhood is] really hard. One night in Nashville, my son was screaming with a terrible stomachache. I was like, 'I have to get out of here!' but we had to finish. My friend Jenno, a mother of three who was producing, was great, reminding me that nine times out of 10, they just have gas.
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