A Quote by Bruce Dickinson
The more guitars we have onstage the better, as I'm concerned.
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I was desperate to do more TV and film. Because I considered myself to be a theater creature. A theater animal. I was convinced that I was going to be onstage for the rest of my life. Because it's something I can really do. I thought I was pretty good at it, and it's kind of stupid, but I was concerned that people would go, "Oh yeah, he's very good onstage, I'm not sure he can do television."
Man is certainly not creative, but his creativity should not be concerned with God. His creativity should be concerned with making a better world, a better society, better literature, better poetry, better paintings, better sculpture, better human beings.
I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
Having a credible existence in the private sector frees people to be able to be better public servants. You're less concerned with... toeing the party line and more concerned with doing what is right.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
Lots of people can have girlfriends. But I can throw around guitars onstage! That'll be my epitaph: 'He never had a girlfriend, but you should've seen him smash a Les Paul!'
Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.
We were designed to love and when we do, something good develops inside. We feel clean, rich, whole. Even better, we become less concerned with how we feel and more concerned with the lives of others.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
When we first started, in the early Eighties, we had some crappy guitars - Japanese knockoffs that wouldn't hold standard tuning. Later, we'd shove drumsticks or screwdrivers under strings to scheme new noises, sure. But initially, open tuning was a technique used to make our cheap guitars sound better. It wasn't academic or conceptual.
Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
The more I go onstage, the more quiet I am before, because I intend to go onstage and slaughter.
The more active I am, the better I feel and the longer I can stay onstage without losing my breath.
I think that, for me, my favorite thing to do is perform standup onstage. Everything else I do is for the exposure to do more stand-up onstage, and for the money, and for the health insurance.
We're better than Metallica. We're better musicians, better players. Put it this way, they can try to walk onstage after an Iron Maiden show if they want.
Sometimes among our more sophisticated, self-styled intellectuals--and I say self-styled advisedly; the real intellectual I am notsure would ever feel this way--some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.
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