A Quote by Bruce Dickinson

A few of these interviews have gone slightly awry, because every now and again there has been the odd conflict of interest between interviews because of the Iron Maiden record, and I am a bit long-winded.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists.
I think kids relate to me because I have some ability to remain a little bit naive. Even during interviews. Mostly during interviews.
My biggest inspiration was always early Iron Maiden, because it was the only band I knew for some time, and, as we all know, Iron Maiden is great.
The week before the (US Open) I gave a few interviews for CNN, USA Network, New York Times, USA Today and Sports Illustrated which had been arranged beforehand. The reason for giving these interviews is not only because working with the media is just part of the job, it is much more my desire to contribute to the promotion of tennis in the U.S.
In an email... like I did 100 interviews, and I never repeated one story. That's impossible to do when you do face-to-face interviews, because your brain locks and you say the same thing over and over again.
I used to do interviews - I still do - interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they're at the bottom of the Atlantic Ocean.
I picked up an issue of 'Cosmopolitan' the other day that had tips for job interviews, because I was like, "I need to get better at interviews." The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, "I do that every day."
I picked up an issue of Cosmopolitan the other day that had tips for job interviews, because I was like, 'I need to get better at interviews.' The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, 'I do that every day.'
I think it's such a risky thing doing interviews. I try to limit the amount of interviews that I do because no one is that interesting especially when you're not really saying anything. And I don't particularly want to be an character in society or whatever.
Interviews, when they are just simply an exercise in hearing what you want to hear, are of no interest. And many, many, if not most interviews have that character. The interviewer who comes in with a list of bullet points they're going to address one after the other. Interviews, properly considered, should be investigative. You should not know what you're going to hear. You should be surprised.
The first Maiden record I ever got was 'Piece of Mind,' and I only got it because I thought the artwork was cool, and everyone talked about Iron Maiden. But they weren't necessarily the most popular metal band in America for a 12-year-old kid when I discovered them.
When I look back at my journey, it gives me a sense of confidence. I have been through an odd journey from Delhi to Mumbai, struggling, not having a job, shifting houses... Today, I am giving interviews. So it does give me gratitude and confidence. The fear is gone.
I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.
I went from being a kid-kid, listen to everything from The Beatles through Kiss, Peter Frampton, Jethro Tull classic rock, classic stuff into immediately, it seemed like, Iron Maiden and stuff like that. The first Iron Maiden record and then, obviously, the first Metallica record.
I rarely give interviews. I am against doing television interviews or chatting on the Net, even to promote my films. This is my personal decision, and it is not to hurt or embarrass anybody.
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