A Quote by Bruce Dickinson

I do like Marylin Manson, actually. I think, he's very talented and he did make some great music. — © Bruce Dickinson
I do like Marylin Manson, actually. I think, he's very talented and he did make some great music.
I think that Eminem is very talented and remarkably bright, and I actually do like a lot of his music.
My guys studied music from a young age and I did not so I think, like, adding the idiot to the table of very talented musicians gave us a unique rub.
I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
You put a very talented kid in a structured environment, where they get to understand and believe how talented they are, and you'll see some great results.
For Arsenal it's very important to have a player like Matteo Guendouzi. He's a good player and I think he can make a success with Arsenal. I hope so. He's a great player, he's very talented and he's very confident.
I love Lady Gaga, Rihanna - all the pop girls like Katy Perry. I think Miley Cyrus is very talented, too. Apart from the visuals, which you may like or not like, but her music is quite good, actually. 'Wrecking Ball' is quite a good song, and she sang it really nicely.
My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.
In India, [in] the great documents like [the] Upanishads in eighth century B.C., you find some of the wisest [women] making great, learned speeches and then you worship them, but actually don't do very much about girls' education generally. So I think there has been a kind of dual presence of pain, respect, and saying you are great, etc., but not providing the basic facilities that make women able to lead the kind of life that they would like to and that men easily do.
I secretly hate worship music, as it's it weak and predictable, with lyrics designed to appeal to the lowest common denominator - not the greatest art ever created by mankind, as I think true worship should attempt to be. Very talented people make some very bad songs so that people with a fourth grade reading level can sing along.
My musical ambitions are not that great. I make music I like, and thankfully - for my ability to make an (fairly...) honest living - at least some others like the music too.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
It's not like I turn off Marilyn Manson and I'm an everyday guy who goes and has another job and doesn't think about any of this stuff. Marilyn Manson is the most real thing that can come from me.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
I'm not going to say that the other people I worked with weren't artist. They were all very great, very talented people, but I think Guillermo [del Toro] will go down in cinematic history as one of our more talented, visually brilliant directors.
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