A Quote by Bruce Eric Kaplan
All I can really tell you about my father is that he did odd things like put tin foil on a bottle of beer after having a few sips, then put it in the refrigerator to perhaps have on another night.
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I have a personal ritual. Just like 10 minutes before a show, I'll open a beer, just so it feels like I've just arrived at a party. I have a few sips, then we go on stage.
I put the weight on after we were together. I put on about 20 pounds when we got married, and people were flipping their lids. And then I put on more after that, and I've gone up and down since then.
I've got a radio that occasionally I listen to. It's portable. It's got an antenna. I've put a piece of aluminum foil on it that gives me a little bit better reception. And a refrigerator.
I'm gonna put out another album and then another album after that. And then I'm gonna put out a mixtape, and then I'm gonna put out another ten songs, and then I'm gonna put out a hundred more songs and a thousand songs after that.
Doing a scene is like opening a bottle. If it doesn't open one way, try another - perhaps even give it up for another bottle?
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
With two sons born eighteen months apart, I operated mainly on automatic pilot through the ceaseless activity of their early childhood. I remember opening the refrigerator late one night and finding a roll of aluminum foil next to a pair of small red tennies. Certain that I was responsible for the refrigerated shoes, I quickly closed the door and ran upstairs to make sure I had put the babies in their cribs instead of the linen closet.
I don't think you should have to defend your actions to people who say: 'You've put some paintings on a wall, and if this doesn't have any deep meaning, then why?' What about the Dadaists? What were they doing? Weren't they just having a laugh with their tin hats?
I made a tin man costume with tin foil and furnace parts because I thought it would help me be more heartless.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
[Vincent Price] had a fish recipe where he wrapped [the fish] in aluminum foil and put in these herbs. And then you put it in the dishwasher and then you wash your dishes, and when you're done, your fish is steamed and it's perfect. But he was very sophisticated as far as art and food and all of that went.
After all, when we were children, when things went wrong, there wasn’t much we could do to help put it right. But now we’re adults, now we can. That’s the thing, you see? Look at us, Akira. After all this time, we can finally put things right. Remember, old chap, how we used to play those games? Over and over? How we used to pretend we were detectives searching for my father? Now we’re grown, we can at last put things right.
You know so many documentaries now are very carefully scripted before you start, and then people are sort of put in chairs which are beautifully lit, and they tell their stories and you do that with another 10 people and you then construct a story from what they say. You do a sort of paper thing, and then you put some images in-between, and that's your film. And that's so not what I think is a good documentary. It can be so much more than that, it should be much more of an adventure and much more uncertain... like real things are.
Pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars.
I have to have a story I really want to tell, and then it makes sense to put things out there. So if you see, 2018 was again crazy for me. I did 'Lust Stories', 'Made in Heaven' and 'Gully Boy'.
I always tell Phil we're like the party poopers. If we ever get invited to a player party, between the two of us, we're like the downers. Like, 'Put down that beer!' Or, 'Should you really be eating those nachos?'
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