A Quote by Bruce Eric Kaplan

One identity is as a television writer, which is very classically Southern California, but another of my personae is as a New Yorker cartoonist. — © Bruce Eric Kaplan
One identity is as a television writer, which is very classically Southern California, but another of my personae is as a New Yorker cartoonist.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
I wanted to be a cartoonist, and then I wanted to go into film - not as an actor, but as a writer-director - and then I found myself during film school at the University of Southern California listening to the Clarence Thomas hearings in class on my Walkman, and I realized L.A. was not really for me.
I'm a New Yorker. Matter of fact, the more I'm in places like Texas and California, the more I know I'm a New Yorker. I have no confusions. About that.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
It is very difficult for us to establish identity in films. It is not easy to break through your stereotype image from television and form a new identity on the big screen.
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and 19th-century British portraiture that you can imagine in Southern California. One doesn't think about Southern California as being the capital of great art.
One of the perks of being a New Yorker cartoonist is that you get to hang around with interesting people. My fellow cartoonists are all interesting, and all highly creative.
Adultery - which is the only grounds for divorce in New York - is not grounds for divorce in California. As a matter of fact, adultery in Southern California is grounds for marriage.
I'm from Florida, which I consider more southern. You cannot put Florida in the same category as California or New York.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I have never lived in New York City, but a lot of people think that I am a New Yorker, because I was embraced by the Downtown scene since the 1980s. For the record I was born and raised in Los Angeles, California.
It seems to me that you are better off, as a writer and as an American, in a small town than you'd be in New York. I thoroughly detest New York, though I have to go there very often.... Have you ever noticed that no American writer of any consequence lives in Manhattan? Dreiser tried it (after many years in the Bronx), but finally moved to California.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
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