A Quote by Bruce Feiler
I was so naive about writing, I went to the public library and checked out the only volume they had on the topic - an academic treatise about publishing from the WWII era.
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I was so inspired by Dr. King that in 1956 with my brothers and sisters and first cousins, I was only 16 years old, we went down to the public library trying to check out some books and we were told by the librarian that the library was for whites only and not for colors! It was a public library! I never went back to that public library until July 5th, 1998, by this time I'm in the Congress, for a book signing of my book "Walking with the Wind"
I was so inspired by Dr. King that in 1956, with some of my brothers and sisters and first cousins - I was only 16 years old - we went down to the public library trying to check out some books, and we were told by the librarian that the library was for whites only and not for colors. It was a public library.
As a graduate student at Oxford in 1963, I began writing about books in revolutionary France, helping to found the discipline of book history. I was in my academic corner writing about Enlightenment ideals when the Internet exploded the world of academic communication in the 1990s.
I don't mean to be flippant about cancer - it was hard, it was tough and it was scary. Then my next manuscript was about cancer because I had a whole new topic to write about. And because I wrote, it didn't take over. Writing took the chaos out of cancer.
I had been writing for about twelve years. I knew pretty well how you could find things out, but I had never been trained in an academic way how to go about the research.
It may be primarily property taxes in the case of a public library, or state taxes and tuition in the case of an academic library at a public university, but the funding sources of most libraries continue to have a strong geographic component.
I think all of the best nonfiction that has ever been made comes from the result of someone who can't stop thinking about a certain topic - a very specific aspect of a certain topic in some cases. And second, they got really good at figuring out what they had to say about it.
At the time I was writing 'Weedflower,' my friend Naomi Hirahara was writing a book about Japanese-American flower farmers. She knew quite a few elderly farmers and put me in touch with four or five of them who had been in camps during WWII. Some, like my father, were reluctant to talk about their experiences.
As a child, recognizing my difference from other kids, I went to the local public library to try to better understand my reality. Back then, many library card catalogues didn't even list 'homosexuality' as a topic.
I think the public library system is one of the most amazing American institutions. Free for everybody. If you ever get the blues about the status of American culture there are still more public libraries than there are McDonald's. During the worst of the Depression not one public library closed their doors.
I had to do the academic writing. At a top research university, publishing of a certain kind is very important. So your friend is right. You can't do three things well.
When I was writing about the Republican primaries, it was as though the Bible was a black box that people reached into to pull out edicts and prejudices and rules and opinions, and I wish they had fact-checked it! Especially Rick Santorum.
Science fiction has never been about the future; it's always been about the present day whether it's Victorian England that Wells was writing about or the post-9/11 era that I'm writing about.
I never went to college and I was raised in Arkansas so there wasn't a lot of academic language being thrown around my house. We weren't idiots, but I didn't have that access to academic feminism. I had to realize, on my own, that feminism is not just about how far ahead you can get in a job and it isn't about not wearing makeup. It isn't about not watching your waistline. I had to recreate the world entirely.
I'm always amused when people point out that Benjamin's naivety about the publishing process is just so unbelievable in Starborn #1 since, of course, no aspiring writer in reality could ever be so naive.
I could not do what I do without the kindness, consideration, resourcefulness and work of librarians, particularly in public libraries... What started me writing history happened because of some curiosity that I had about some photographs I'd seen in the Library of Congress.
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