A Quote by Bruce Feirstein

I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition. — © Bruce Feirstein
I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'
My parents retired to New York City, and my brother and both of my sisters ended up in New York City. We are all New York City transplants from Pennsylvania.
Growing up so close to New York City, I always loved going to the city, but I'd be disappointed because songs about New York always made it seem so magical and perfect, and when I was younger, I just thought it was busy and dirty.
When I started writing, most of the police department in New York City, especially above the rank of detective, were Irish, Irish-American. I thought it would be more interesting... to use the actual ethnic background in New York City at the time.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
New York, in itself, has this frenzied, chaotic feeling to it. It's such a big city, and it's always moving, and there are so many people.
It is an art form to hate New York City properly. So far I have always been a featherweight debunker of New York; it takes too much energy and endurance to record the infinite number of ways the city offends me.
I never thought about moving to L.A.; I always wanted to be in New York. I moved there, and now I still have a kind of love affair with the city.
I started in the theater world in New York City - and indie films - and I love the feeling of your head coming together and trying to tell a simple story, a small story, and just getting that vibe of storytelling without all the craziness of big budget.
I moved to New York City when I was 20 years old, started making movies non-stop. I didn't have any friends, so I would just sit at home all night editing on my iMac.
I am a dude who is meant to be on a couch in New York City thumbing through magazines.
The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?
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