A Quote by Bruce Forsyth
Probably more than anybody else, I loved Nat 'King' Cole as a performer - not only his singing but his piano playing. Whenever he had a new record come out, I'd get it and try to learn how he was playing. And he was one of the nicest people I'd ever met.
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My mother says I was two-and-a-half when I started playing. My father was a minister, and when he went to church in the morning, she would put on Fats Waller, Billie Holiday, Nat King Cole and Cole Porter records. I'd crawl up on the piano stool, sit on a phone book and play.
Gospel music was very prevalent in my house. My mother also loved Nat King Cole. That was some of the first music that I heard. Mahalia Jackson, Nat King Cole and the Mississippi Mass Choir.
Mercer was very clever. He knew the way Southerners spoke and put that into his lyrics. But in that whole era, you had the best. Harold Arlen was just fantastic. Cole Porter was better than anybody, and Gershwin was Gershwin, y'know. Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole.
I couldn't get away from the gramophone. It was the only thing that I ever really liked, and I was singing along by the time I was five years old - to the Modernaires and Billie Holiday and Frank Sinatra and Nat King Cole.
The one who really captured me and became my absolute favorite was Nat King Cole. He was a genius at what he did. Most people don't realize what a great pianist he was. After listening to him for years, I finally met him, and he was the nicest human being.
Of the great singing stars of the 1940s and '50s, only one - Nat King Cole - died young, at age 45.
My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.
The musical flags of the world should fly at half mast because truly one of the greatest guitarists in the world and king of the blues has died. I have cherished him and so has the rest of the world who knew him and loved him for his entire career. As we pain, we must celebrate that his music, his style of playing and singing will last forever, from the recordings that he has done and the influence that he has had and will have on guitarists all over this planet. Long live the spirit of B.B. King.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
I had to come out on stage with my little staff and robe and I had this sun on top of my head that my mom made - that was the first time I was ever on stage singing in front of anybody. I realized that I was one of the best acts of the night but I didn't give singing much thought after that. I was really into playing baseball.
I can laugh at myself because I've had to. Everything would have been much worse if I'd been the singing son of Nat 'King' Cole.
Most of us remember Nat King Cole as a vocalist. His warm, grainy baritone is still so closely identified with such familiar ballads as 'Stardust' and 'The Christmas Song' that it's hard to imagine anyone else performing them.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
I believe it was Nat King Cole that my dad took me to see, and we were sitting in the dressing room, and I blurted out to him, 'Why didn't you sing this?' Referring to whatever song I had wanted to hear, and he told me he was tired of singing it.
'The Christmas Song,' by Nat King Cole, is not only a masterful performance; to me it just sounds like the holidays. I've never sung it, because Nat's version is so perfect. I gotta leave it alone.
When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.
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