A Quote by Bruce H. Lipton
Once we go beyond this and start to open up and question and experience things in a different way, we can move forward.
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The sad truth is that certain types of things can't go backward. Once they start going forward, no matter what you do, they can't go back the way they were. If even one little thing goes awry, then that's how it will stay forever.
Once you open your eyes and start looking around you, you start picking up things that are very obvious.
As I grow older, what I find interesting is that I get experience with pain, different types of pain, and I start to see the lovely hilarity of life. Things that were once so crushing take on a different essence. I move through it at a faster rate. It's like traveling: it opens my eyes. My process is to allow myself to have it and to not judge myself or the situation too much, and then to create something with it.
In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.
Comedy is like music; it builds on itself. Once someone comes up with a theory or a different way of doing things, people start to mimic it on some level. That's why you go back to the guys you loved in the 80s... and it just seems tired now, because it was all foundation.
PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.
Life is too short to live that way. Learn to travel light. Every morning when you first get up, forgive the people that did you wrong the day before. Forgive your spouse for what they said. At the start of the day, let go of the disappointments, the set backs from yesterday. Start every morning fresh and new. God did not create you to carry around all that baggage. Let it go and move forward in the life of blessing He has in store for you!
It was awkward and embarrassing, but you have to go through things, ... I got through it and I'm happy it's over with and I can move forward and start playing.
When the fire is over, always, in the ashes, our opportunities to repair, to move forward without vengeance being required - that's kind of the way us humans seem to live. We make massive mistakes. We do stupid things. We do things to survive. And then there's an opportunity to learn from them and move forward with grace. And forgiveness and that gracefulness are very connected.
I wanted to pack a lot into the lyric, but not go beyond its bounds. Some have written that I wanted to expand what the lyric could do. I just want the hugeness of experience-which includes philosophical discursiveness-to move at a rate of speed that kept it (because all within one unity of experience) emotional. Also, often, questions became the way the poems propelled themselves forward It brings the reader in as a listener to a confession[.] A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
Bottom up thinkers try to start from experience and move from experience to understanding. They don't start with certain general principles they think beforehand are likely to be true; they just hope to find out what reality is like.
Start meditating with your eyes open, focusing as a warm-up, then focus on a chakra, then just let go and merge. Don't sit there and think or move into sleepy states of awareness, but move into high-powered states of attention.
And I think that’s a lot of the reason why when you start to fragment your audience, you start to think about what you’re looking for, you’ll go to different spaces, and it parallels what we do as adults. You go to different bars when you’re in the mood for different things. You see different people when you want to go listen to music or when you just want to have a quiet drink with a couple of friends.
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long process. It's like 100 steps forward and 99 steps back.
When you see an article it always has 'disgraced NBA referee.' It's embarrassing and it's never going to be okay. Unfortunately, I have to move forward and just make things different moving forward.
Growing up, the question of faith and the question of God, specifically with Christianity, has been something that's informed me quite a lot, but it's also very loaded. The way that it's often expressed in America is very different from the way that I view things.
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