A Quote by Bruce Hornsby

We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it. — © Bruce Hornsby
We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
I'm their biggest fan every Sunday they go out there and play. I'm pulling for them, for the people in New Orleans and everything they're going through. If there are three or four hours that people can get away from the reality that is existing for them right now, the uncertainty, the unknown, the Saints can bring a sense of pride to them for that short period of time.
I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I don't play just one-two-three-four. I try to play melodies.
The reality is it's still in our hands. We have to play four real good games against the Angels. If we take three of four we're still two back and then we'd need help. We'd still be breathing, but we'd need help. We'll shoot all our bullets to try and win that game (Monday) and worry about the next day when we get there.
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting the notes lead them from one place to another. Taking still photographs is like that. It is a generative process. It pulls you along.
You may try your experiment for a week and see how you like it. I think by Saturday night you will find that all play and no work is as bad as all work and no play
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song.
Some men are like a church-organ -- you can play on them for a lifetime and always find new harmonies; others are like a music-box -- they have four or five thin jingles.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I try to tell a story when I'm playing. I try to make an emotional connection when I'm playing versus before I played just to play. Now there's a sense of purpose of why I play, of how I play. So people can actually feel what I'm saying to them.
I need to play three or four weeks to get into a rhythm. I'm not like Tiger. I can't play one week and win.
Everybody wants to play in Europe, and if you're in the rhythm of playing a game every three or four days, sometimes you can play better, even though it's harder at the end of the season.
Thursday night football is here to stay. So we're looking at ways to make it safer. Now they're playing division games, so you limit travel. Now the question is, should you play Sunday night before a Thursday night?
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