A Quote by Bruce Jackson

America has the longest prison sentences in the West, yet the only condition long sentences demonstrably cure is heterosexuality. — © Bruce Jackson
America has the longest prison sentences in the West, yet the only condition long sentences demonstrably cure is heterosexuality.
The only thing that prisons demonstrably cure is heterosexuality.
I got over 20 people out of prison, some with life sentences and others based on getting their sentences reduced.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Mandatory minimum sentences give no discretion to judges about the amount of time that the person should receive once a guilty verdict is rendered. Harsh mandatory minimum sentences for drug offenses were passed by Congress in the 1980s as part of the war on drugs and the "get tough" movement, sentences that have helped to fuel our nation's prison boom and have also greatly aggravated racial disparities, particularly in the application of mandatory minimum sentences for crack cocaine.
Because prison sentences in America tend to be long, de-incarceration lags falling crime rates by a fair amount, but eventually it does catch up.
There is a sweet little horror story that is only two sentences long: The last man on Earth sat alone in a room. There was a knock at the door... Two sentences and an ellipsis of three dots.
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
The most striking aspect of linguistic competence is what we may call the 'creativity of language,' that is, the speaker's ability to produce new sentences, sentences that are immediately UNDERSTOOD by other speakers although they bear no physical resemblance to sentences which are 'familiar.
I know I have a problem with semi-colon abuse and have written page-long sentences. Nobody needs to be reading page-long sentences, at least not written by me.
Whatever simplicity I've achieved in writing, I think I owe most of it to Jean Renoir and Hemingway: simple, declarative sentences. I've read some very good writers, but the sentences were so long that I've forgotten what the point was.
Grammar is what gives sense to language .... sentences make words yield up their meaning. Sentences actively create sense in language. And the business of the study of sentences is grammar.
When I transformed my random and raw words into sentences, sentences into paragraphs, and paragraphs into chapters, a semblance of order and sanity appeared where there had been only chaos and insanity.
The rythms of typing favour short, concise sentences, sentences with oral form.
It's weird when people start sentences with 'frankly' - as if their other sentences don't count.
I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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