A Quote by Bruce Jackson

You've gotten words about those American and Iraqi deaths and mutilations, but precious few images. — © Bruce Jackson
You've gotten words about those American and Iraqi deaths and mutilations, but precious few images.
George Bush is guilty of murder for the deaths of over 4000 young American soldiers who have died in the Iraqi war.
If you stay in the mainstream of life, in other words, you let in the suffering of the world that invariably enters all of our lives by the time we're in our middle years, when we've experienced a few deaths and read a few headlines. Famine, poverty, abuse, you can't keep that all blocked out. If you let those things teach you, influence you, change you, those are the events that transition you without you even knowing it to become more compassionate. In other words, you hold onto your values, but you do it much more inclusively, humbly and in an open ended way. Suffering takes you there.
President Bush says he is concerned about the Iraqi people, but if Iraqi people are dying in numbers, then American policy will be challenged very strongly.
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
No matter what you think about the Iraq war, there is one thing we can all agree on for the next days - we have to salute the courage and bravery of those who are risking their lives to vote and those brave Iraqi and American soldiers fighting to protect their right to vote.
The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.
How long has it been since you looked into the eyes of your mother and, holding nothing back, spoke those welcome words, 'Mother, I truly love you'? How about Father, who daily toils to provide for you? Fathers appreciate hearing those same precious words from the lips of a child, 'I love you.'
Americans would have a right to go to war with the Iraqis if we could name one author from Iraq. It disturbs me that we're going to war with somebody we know absolutely nothing about. Name one Iraqi poet, one Iraqi woman activist, one Iraqi singer. Name one Iraqi novelist. You can't. And how can you go kill someone you don't know anything about?
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
History will eventually depict as legitimate the efforts of the Iraqi resistance to destabilise and defeat the American occupation forces and their imposed Iraqi collaborationist government.
We must find out what words are and how they function. They become images when written down, but images of words repeated in the mind and not of the image of the thing itself.
At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds.
Statistically, I'd say there are about as many gay figure skaters as there are gay football players. The majority are straight. There are just those few exceptions, and those are the ones who have gotten picked on and followed over the years.
It does so happen to be the case that if the freedom of the people of this country - and especially the rights of trade unionists - if those precious things in the past had been left to the good sense and fairmindedness of judges, we would have precious few freedoms in this country.
Making photographs that dealt with the understanding of who I am as a gay man and dealt with the process of accepting that, and also accepting what I'm into sexually, what sexually arouses me. So I was making these images not necessarily knowing what they were about, but just putting it out there - that mode of thinking or consideration of my own desires, and also the much larger conversation around images that deal with ideas of sexuality and how those images are distributed and then accepted or understood by whoever is viewing those images.
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