A Quote by Bruce Lee

Do not be tense, just be ready, not thinking but not dreaming, not being set but being flexible. — © Bruce Lee
Do not be tense, just be ready, not thinking but not dreaming, not being set but being flexible.
Not being tense but ready. Not thinking but not dreaming. Not being set but flexible. Liberation from the uneasy sense of confinement. It is being wholly and quietly alive, aware and alert, ready for whatever may come.
A good martial artist does not become tense, but ready. Not thinking, yet not dreaming. Ready for whatever may come. When the opponent expands, I contract; and when he contracts, I expand. And when there is an opportunity, "I" do not hit, "it" hits all by itself.
It's about listening to the land and being patient and being ready to absorb our dreaming or our path or our destiny slowly, with patience, being ready to absorb that when it's time and not chasing it.
A good martial artist does not become tend but ready, not thinking but jet not dreaming. Ready for whatever may come.
There's a fine line in being too specific so you can't be too flexible, and being too vague in being specific and people not thinking it's meaningful.
Try to find the real tense of the report you are reading: Was it done, is it being done, or is something to be done? Reports are now written in four tenses: past tense, present tense, future tense, and pretense. Watch for novel uses of CONGRAM (CONtractor GRAMmer), defined by the past imperfect, the present insufficient, and the future absolutely perfect.
When we are securely rooted in personal intimacy with the source of life, it will be possible to remain flexible without being relativistic, convinced without being rigid, willing to confront without being offensive, gentle and forgiving without being soft, and true witnesses without being manipulative.
I love getting ready to do a scene, and thinking about it, and talking about it. But the rest of the time, I'm so nervous and obsessed. I'm just tearing my hair out in the trailer. The whole time I'm really tense.
Part of being a comic is being flexible, being versatile.
Great acting is all about being in the moment, being in the present tense.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
The number one thing I urge people to remember is it is all about being scientific about managing strategic uncertainty, while striking the important balance between being thorough and being flexible.
The more flexible we become in our thinking and being, the more we open ourselves to self-awareness & growth.
The reason that I'm here is that Patrick and I are partners and when crazy stuff comes our way we'll sit down and brainstorm and think around it just like we do when we're thinking about a scene. So, while the masters might not understand my being here, or at least they didn't at first, but they do now because we really are a partnership. If he's on set I'm on set.
The opposite of thinking clearly is being muddled. To be conscious of being muddled is a horrible experience. To avoid it we may even be tempted to shut our minds and swallow a belief, ready-made, from some expert authority.
I enjoy just being cocooned in production and it's completely different to your other life that you have. I enjoy that. I enjoy being on the set and hanging out and talking to whoever we're working with and just being in the moment.
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