When you fight, if it is a real fight, use every tool that you have, use your whole body. Use your fists, your legs, your fingers, your head if you have to, and hit them in every vulnerable spot, the balls, the eyes etc. to win.
You must fill every inch of your body with the asana from your chest and arms and legs to the tips of your fingers and toes so that the asana radiates from the core of your body and fills the entire diameter and circumference of your limbs. You must feel your intelligence, your awareness, and your consciousness in every inch of your body.
Open your eyes, train your ears, use your head. If a mind you have, then use it while you can.
Every manager has different opinions and all you can do as a player is try to fight and get your spot back, or at least earn your manager's trust back to try and get your spot back. There's no use sulking about it, you just get on with it and try to raise your game to get back to the level you need to be when you were starting.
When you're an actor, your body isn't your own. Your body is part of a tool that you use. Everybody else there is using you as a tool, so they have access to those things, too.
Raising children uses every bit of your being - your heart, your time, your patience, your foresight, your intuition to protect them, and you have to use all of this while trying to figure out how to discipline them.
Any window of opportunity is important. If your hands are tied, you should swim with your legs. If your legs are tied, you should try to hold on to the edge of the boat with your teeth. We have to use every option.
Stain not the glory of your worthy ancestors, but like them resolve never to part with your birthright; be wise in your deliberations, and determined in your exertions for the preservation of your liberties. Fllow not the dictates of passion, but enlist yourselves under the sacred banner of reason; use every method in your power to secure your rights.
Sometimes I get a little confused because with dancing I can express my emotions with my body. With acting you have to do it with your face and your expressions, and then with animated shows you have to use your voice and use your inflections. So it's definitely a challenge to transfer from each genre of entertainment.
There is an amazing power getting to know your inner self and learning how to use it and not fight with the world. If you know what makes you happy, your personality, interests and capabilities, just use them, and everything else flows beautifully.
In the beginning, he taught you how to hold your fingers, use your head, hold your shoulders, how you glissade, bourre - the exact way he wanted you to do the steps. It was relearning the whole Balanchine technique.
To be the ultimate team, you must use your body and your mind. Draw up on the resources of your teammates. Choose your steps wisely and you will win. Remember, only teams succeed.
Be careful not to be the first to put your hands in the dish. What you cannot hold in your hands you must put on your plate. Also it is a great breach of etiquette when your fingers are dirty and greasy, to bring them to your mouth in order to lick them, or to clean them on your jacket. It would be more decent to use the tablecloth.
Use every man according to his desert and who should 'scape whipping? Use them after your own honor and dignity, the less they deserve ... the more merit in your bounty.
Every time you envy someone you use a muscle in your face to disadvantage. If you do it only once or twice, it can be erased. But over a period of years, those muscles will tighten your mouth, narrow your eyes, and help destroy your attractiveness.
Tell your readers to use it or lose it. If you don't use your muscles, they get weak. If you don't use your mind it begins to fail.
In film, you're always using your tools, your body, your voice, your emotions, but onstage, you use them in a different way.