A Quote by Bruce McNall

Luc Robitaille is a great kid and good player, but ask anybody on the street and they'd probably think Luc Robitaille is a type of salad dressing. — © Bruce McNall
Luc Robitaille is a great kid and good player, but ask anybody on the street and they'd probably think Luc Robitaille is a type of salad dressing.
What's going on?" Kynan asked Luc smiled, which was little more than a baring of his teeth. "She's a warg. She knows I know, but I'm guessing her human buddies don't know. She's afraid I'll tell." "Are you going to?" "That depends." "On what?" Luc's voice dropped an octave. "Whether or not she gives me what I want." "And that is?" "Fifteen minutes. Naked." "That's blackmail." Luc snorted. "Wargs call it negotiation." "So you want fifteen minutes...what will she want?" "With me?" Luc winked. "Two hours.
I'm a huge Luc Besson fan. The Fifth Element, I just loved that movie. Luc cast me to play a small part in it, and so I did, because I love all his movies actually - The Big Blue, La Femme Nikita, Léon: The Professional. His movies are so wonderful. It's just fun to be in it and for it to be a sci-fi movie.
If you're on a budget, Sweetgreen is a new chain of salad bars that are very good but inexpensive. You choose from a menu or customise your own, with some protein, a healthy salad and a great dressing.
Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.
I called the great French violinist Jean-Luc Ponty and I said 'So, who's the new cat? Who's got the stuff? And he said Zach Brock.
It makes no sense to bad mouth people, but I think Jean-Luc Godard is astonishing as a survivalist, somebody who can do a film that is as extraordinary as Goodbye to Language.
If you ask any great player or great quarterback, there's a certain inner confidence that you're as good as anybody. But you can't say who is the absolute best. To be considered is special in itself.
I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.'
Twenty-five years ago I couldn`t walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don`t ask me about my movies and they don`t ask me about my salad dressing because they don`t know who I am. Am I happy about this? You bet.
I was a big fan of Luc Besson and obviously Ridley Scott.
Though a good cop, Luc Claudel has the patience of a firecracker, the sensitivity of Vlad the Impaler, and a persistent skepticism as to the value of forensic anthropology. Snappy dresser, though.
Even if I make fun of him, I try to portray him as a human being. Sometimes because he's the great Jean-Luc Godard, we see him as a concept.
I really liked the Jean-Luc Godard movie, 'Film Socialisme.'
At the end of '69 I did a gig with Jean Luc Ponty here in L.A. He was an electric violinist.
Fundamentally, footballers don't look around a dressing room and think, 'He's a black player... he's Japanese.' They don't think like that. They think, 'He's a good player; he can help. He's not very good.' I'm not trying to defend anyone's actions, but there are going to be isolated incidents because it's an emotive, passionate sport.
It's always important to talk about what Jean-Luc did - for him, for me, for everyone.
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