A Quote by Bruce Nash
I'm trying to tell a story, to entertain. I try and do something that might just take people's minds off their troubles.
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She performed for the Dutch Resistance, not just to raise money but also to entertain people and to take their minds off the horrors they were living through. They would do plays and little musicals, trying to be discreet and not bring the attention of the soldiers.
I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I just try to tell a story with a song, and be able to try to transmit the emotion to you. That's all I'm really trying to do.
I don't want to, I don't plan my career based on what I want people to believe I'm capable of doing. So I just take things that I think might be good or might be fun to do or might ultimately entertain.
I'm just trying to tell a good story and make thought-provoking, entertaining films. I just try and draw upon the great culture we have as a people, from music, novels, the streets.
Sometimes I'm considered, I guess, a subtle actor. Maybe I'm less of a showman and more just trying to tell the story. I don't know what the perception is. I just want to tell the story so the story as a whole works as opposed to just making sure that I work.
It's one of the underappreciated skills required by an innovator - they have to be able to convince lots of people to do things that might not be fully rational (invest in the company, join something that is likely to fail, try a product they've never seen before), and if you can't tell a good story it is just very hard to make that happen.
Well, I'll tell you something, this wedding is something that I will always, always cherish. It was a show of love and support and kindness like I'd never seen from the people, and that's who I entertain. I entertain the people.
I don't try to sensationalize anybody. I'm not trying to entertain. I'm trying to give information and give access to me and tell about our program.
I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.
It's nice when people are passionate about something, and it's always better when they let the subject tell the story, more so then when you can tell people are trying to get their own philosophy into it.
Now, I don't believe in doing hugs halfway. I can't stand people who try to hug without touching. A hug should be a full embrace - as I wrap my arms around Tony, I am not just holding him, but also trying to lift off his troubles for a moment so that the only thing he can feel is my presence, my support.
Your best athletes might give basketball a try just when they think, geez, this might be something that pays off for me in the end.
I think you can't go into any story-breaking process thinking, 'What if they come off as unlikeable?' You just gotta break the story because if you know who your character is, the story will tell you. The story will dictate and say, "This feels off-kilter for this particular person."
I think a lot of things can be misconstrued in a lot of ways. And I think if people open their minds more, and they try to look deeper into something than just something that is a very big, hot, fiery button to hide behind...I think if people looked into something bigger that I was trying to speak upon, they wouldn't be so easy to fire back silly, miscellaneous things.
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