A Quote by Bruce Springsteen
All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records but if you were a kid you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
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All the music I loved as a child, people thought it was junk. People were unaware of the subtext in so many of those records, but if you were a kid, you were just completely tuned in, even though you didn't always say - you wouldn't dare say it was beautiful.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music... Now, record companies are run by lawyers and accountants.
I was a kid, I loved music, that was our social thing. That's what we bonded on. That's what my Saturday nights were, looking to see what bands were playing. And some of those people were the coolest people ever. I want to participate in that. And I hope other people feel that and they're like, "Yeah man, this is part of it, this is why I love music."
Even as a kid, I saw the world in my own way and thought most things that were different were beautiful and magical. Even things that other people thought were horrifying and disgusting and weird.
When I started doing my act, I wasn't married and didn't have kids. I was probably 29 years old. Some people say that's not a kid, but when you're 50, and you look back to when you were 30, you were a kid. You look back on your 30s and think, "I was an idiot!" But I would just do things then I thought were funny. I couldn't have cared less who thought anything about it.
If one were to say but few words, though ones with meaning, one would do better than to say many that were only empty sounds, and just as easy to utter as they were of little use.
As a kid, I always idolized entrepreneurs. I thought they were cool people in the way that I thought basketball players were cool people. It's cool that some people get paid to dunk basketballs, but I'm not one of those people.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
We were fortunate at that time we were working with Virgin, and with Flood, probably more well-known as Brian Eno's engineer now and U2's producer, etc. Even though we weren't working in a strictly popular music area, which was great, we were lucky enough to work with people who were on the cusp of those sort of things.
Commonplace people have an answer for everything and nothing ever surprises them. They try to look as though they knew what you were about to say better than you did yourself, and when it is their turn to speak, they repeat with great assurance something that they have heard other people say, as though it were their own invention.
There were so many people after that first 'Colbert Report' interview that were impressed by the synergy we had during the interview. People everywhere we'd go would say, 'You should be the bandleader; it would be great for jazz. It would be great for the music.' But I was completely against it.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed with the realization that I loved all those people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers.
What's interesting is, say, the O.J. trial and when the verdict came out, and there were people who celebrated, and there were people who thought that he's guilty, and it's a crime. Those reactions tend to be filtered through our own experiences.
There have been periods where the folks who were already here suddenly say, 'Well, I don't want those folks,' even though the only people who have the right to say that are some Native Americans.
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