A Quote by Bruce Springsteen

I held four clean aces. I had youth, almost a decade of hard-core bar band experience, a good group of homegrown musicians who were attuned to my performance style and a story to tell.
I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.
Style and entertainment tastes change, but the core emotions of being a kid - which, not coincidentally, are the core foundations of any good story - are constant.
For me upward social mobility is possible through talent and hard work and is a glowing endorsement of the benefits of living in a modern capitalist society. It's not so much evidence of a meritocracy, as evidence of healthy nepotism. Nepotism is at the core of a good group dynamic. A good group dynamic is at the core of rock'n'roll.
I just wanted to tell the story of a bunch of musicians who had never had their story told before. There's no preaching or theorizing.
There is a remarkable nimbleness of style, a balancing act of tone, in Voltaire, which is hard to bring off on stage. When you speak the words out loud, the effect is very different from when you read them. So one needs to do something new with a stage performance, not simply 'tell the story'.
Dig into almost every overnight success story and you’ll find about a decade’s worth of hard work and perseverance.
Then it evolved into more of a ballad style singer/songwriter thing. And there was a conflict in trying to merge the two styles with the same band behind me. 'Cause the musicians that I would need to do ballad-oriented tunes would require musicians who were more into jazz.
The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
He had the calm confidence of a Christian with four aces.
If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.
What's interesting about Vampire Weekend, everyone in the band, except for me, had a band in high school in which they were the lead singers. And I'm the one who never had that experience.
I try to tell a story the way someone would tell you a story in a bar, with the same kind of timing and pacing.
My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
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