A Quote by Bruce Swedien

Every console, I don't give a damn if it's analog or digital-hell, every mixing situation today-is the brainchild of Bill Putnam. — © Bruce Swedien
Every console, I don't give a damn if it's analog or digital-hell, every mixing situation today-is the brainchild of Bill Putnam.
We believe that the next generation of powerful mobile companies have a deep understanding of the world as a unified whole, where digital and analog experiences affect each other rather than transporting analog experiences into the digital realm.
Like every actress, I, too, had movies that got stuck, but I have learnt to always look at the best in every situation and to give my best to every situation.
'Brace the Wave' is an acoustic-electric record recorded with electricity on analog-digital and digitally-analog equipment.
As far as digital technology has come, there's still one thing that digital cameras won't do: give you perfect color every time. In fact, if they gave us perfect color 50% of the time, that would be incredible, but unfortunately every digital camera (and every scanner that captures traditional photos) sneaks in some kind of color cast in your image. Generally, it's a red cast, but depending on the camera, it could be blue. Either way, you can be pretty sure-there's a cast.
I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.
I don't give a damn what queers do, and don't give a damn what Christians do. Just get the hell out of my way because I want to live my life and I don't want the government sucking 60% of my wages off my ass.
I play really hard. I put my body on the line every damn practice. Every day in the games. That's my passion. That's how I give to the game.
Above all never forget that a marriage is in one way very much like a newspaper. It has to be made fresh every damn day of every damn year.
The U.S. bet its last penny on violence as the magic solution for every problem, and so the country is losing friends every day and doesn't seem to give a damn about it.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
I don't give a damn if I go to hell. I love you Satan. The road to hell is paved with good intentions.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
While I don't necessarily believe the cliche that 'everything happens for a reason,' I do believe that every encounter, every situation, and every challenge I've experienced has shaped me into the woman I am today. And I am proud to say that I have never backed down from life's challenges.
I'm an old guy, and I was protesting during the Vietnam War. We killed fifty Asians for every loyal American. Every artist worth a damn in this country was terribly opposed to that war, finally, when it became evident what a fiasco and meaningless butchery it was. We formed sort of a laser beam of protest. Every painter, every writer, every stand-up comedian, every composer, every novelist, every poet aimed in the same direction. Afterwards, the power of this incredible new weapon dissipated.
The definition of political cinema is one I don't agree with, because every film, every show, is typically political in nature. Political cinema is simply the brainchild of bad journalists.
I've got a new studio set up very much based around live mixing and also mixing analogue and digital systems. Inspired by the late King Tubby and Scientist.
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