A Quote by Bruce Vilanch

I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made. — © Bruce Vilanch
I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
I've sold scripts in the past, and also a TV pilot that didn't get made, to Fox. But yeah, I've been writing for a while.
I made a series of wrong decisions about moderately recent books, and I've sold the rights to studios for ridiculous amounts of money and the films have never been made. That's the saddest thing of all, because they're locked up and no-one else can make them.
I made a series of wrong decisions about moderately recent books, and I've sold the rights to studios for ridiculous amounts of money and the films have never been made. That's the saddest thing of all, because they're locked up and no one else can make them.
I don't know if the scripts are changing so much. I mean, I've been working for almost 25 years and made over 40 films and I worked with my first female director, on a feature, "Planetarium". And it's still the only one.
I have to be someone; maybe I'm just doing it for my father. When I made a movie, it had to be a hit because when he died, he was a flop director.
These criminals represent us. One of them recognized Jesus for who he was and received him; Jesus promised that when he died he would be in heaven with him. The other man rejected Jesus and closed his heart. Unlike the first criminal, when he died he didn't go to heaven. He went to hell. In that sense, these two men on either side of Jesus are just like every person. We either embrace Christ as our Savior and spend eternity with him, or we reject him and say, 'I don't believe it. I'll have nothing to do with.' And these people spend eternity separated from him.
There's a paraphrase about Orson Welles saying: "Great films are made by great directors and the rest are made by everyone else." I've been very lucky... before I start insulting the profession of directing, but I think a good director is everything and a bad director really is nothing at all.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
The stuff that's made up about Jesus - that you have to go through Jesus to get to God and if you're lucky, after you die, if you've done everything right, the reward is you get to sit on the right hand side of God. All that is made up by men. People made it up.
Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.
For every three scripts that you get through, one will be made, and that doesn't even necessarily mean that they're going to cast you in it.
I wouldn't say I had a hard childhood because my mom always made sure we was Gucci, you know what I mean. Growing up, she made sure we ain't have to want for nothing. She did what she had to do; she made her money, and we was always good.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.
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